Her fingers kneaded it, working some imaginary devil out through the fingertips, till the hurt was gone. * * * * * We sat close together on the edge of the bed at last, as I worked and moved my arm, one of us more in awe of what had happened than the other. It was weak--with those flabby, unused muscles, it had to be. But I could move it, to any normal position. I never done like that before, she breathed. Jest small ailin . You re a healer, all right, I said. And a prophetess, too, from what I saw at the dice table. You know what a Psi personality is? I asked her. Say, what is your name, anyway? Pheola, she said.
net *** START OF THE PROJECT GUTENBERG EBOOK FOSTER S COMPLETE HOYLE: AN ENCYCLOPEDIA OF GAMES *** Transcriber’s Note: In this text version, the illustrations from the original book (which may be found in the HTML version) have been reproduced where possible, using the Unicode characters for playing cards, dice, draughts etc. For best experience you should ensure that you have a font installed which supports these characters. FOSTER’S COMPLETE HOYLE AN ENCYCLOPEDIA OF GAMES Revised and Enlarged to October, 1914 INCLUDING ALL INDOOR GAMES PLAYED TO-DAY. WITH SUGGESTIONS FOR GOOD PLAY, ILLUSTRATIVE HANDS AND ALL OFFICIAL LAWS TO DATE BY R.F. FOSTER _Author of “Royal Auction Bridge with Nullos,” “Cooncan,” and many other books on card games_ ILLUSTRATED WITH NUMEROUS DIAGRAMS AND ENGRAVINGS NEW YORK FREDERICK A. STOKES COMPANY PUBLISHERS Copyright, 1914, by FREDERICK A. STOKES COMPANY Copyright, 1909, by FREDERICK A. STOKES COMPANY Copyright, 1897, by FREDERICK A. STOKES COMPANY _All Rights Reserved_ FASC _October, 1914_ PUBLISHERS’ NOTE.
Upon this Monday jumps up from her crouching or kneeling posture [the children were generally put by the Witch behind some chairs all close together in one corner of the room], and runs off, followed by all the others and their Mother. The Witch tries to catch one, and if successful that child becomes Witch next time.--A. B. Gomme. A probable explanation of this game is that it illustrates some of the practices and customs connected with fire-worship and the worship of the hearth, and that the pot is a magical one, and would only boil over when something wrong had occurred and the Mother s presence was necessary. The pot boils over directly a child is taken away, and appears to cease doing this when the Mother comes in. It is remarkable, too, that the Witch should want to borrow a light from the fire; the objection to the giving of fire out of the house is a well-known and widely-diffused superstition, the possession of a brand from the house-fire giving power to the possessor over the inmates of a house. The mention of the spitting on the hearth in the Sheffield version, and dirtying the hearth in the London version, give confirmation to the theory that the desecration of the fire or hearth is the cause of the pot boiling over, and that the spirit of the hearth or fire is offended at the sacrilege. The Witch, too, may be unable to get possession of a child until she has something belonging to the house.
On the layout, build in descending sequence, red on black, black on red, turning up the top card when any pile is left without a faced card upon it. If there is more than one card face up on any pile, they must be removed together or not at all. Spaces may be filled only with kings. The stock is run off three cards at a time, and any card showing can be used. The pack can be run through in this manner until no cards showing can be used, but there must be no shuffling or rearrangement of the cards. Sometimes it is the rule to run through the pack once only, turning up one card at a time. The object of the game is to see how many cards can be built on the ace row. A better average can usually be obtained when the pack is run off three at a time with the privilege of running through again and again as long as any card can be used. FORTUNE TELLING. Whatever the arrangement employed for laying out the tableau in fortune telling, the result of the reading will always be dependent on the person’s ability to string together in a connected story the meanings which are attached to the various cards.
Other versions of this holloa are-- Whoop, whoop, and hollow! Good dogs won t follow Without the hare cries, Peewit. --Halliwell s _Nursery Rhymes_, p. 66. Sound your holler, Or my little dog shan t foller. --Northall s _English Folk Rhymes_, p. 357. This game is played in Wales under the name of Hunt the Fox. The Fox has a certain time given him for a start, the other players then go after him.--Beddgelert (Mrs. Williams).
Even then, the adversaries are almost certain to cross the suit and go out. With the score 3 all, the dealer should be very careful about taking up on a weak hand, because a euchre loses the game. If he is weak, but has a chance in the next suit, or a bower in the cross suits, he should turn it down. It is a common stratagem to turn it down for a euchre when the dealer is better in the next suit, and has only 2 to go. _=PLAYING ALONE.=_ The dealer has the best chance to get a lone hand; but the eldest hand is more likely to succeed with one, on account of the advantage of the lead. It is an invariable rule for any player to go alone when he has three certain tricks, unless he is 3 up, and can win the game with a march. A lone hand should be played with both bowers and the ace, no matter how worthless the other cards; or with five trumps to the ace without either bower; or two high trumps and three aces in plain suits; or three good trumps and two aces. The theory of this is that while the march might possibly be made with partner’s assistance, if partner has the cards necessary to make a march, the adversaries have little or nothing, and there is a very good chance to make a lone hand if three tricks of it are certain. Both bowers and the ace, with only the seven and eight of a plain suit have made many a lone hand.
=_ The baulk is no protection. _=6.=_ The player loses a life by pocketing his own ball off another, by running a coup, by missing the ball played on, by forcing his ball off the table, by playing _with_ the wrong ball, by playing _at_ the wrong ball, by playing out of his turn, by striking the wrong ball, or by having his ball pocketed by the next striker. _=7.=_ Should the striker pocket the ball he plays at, and by the same stroke pocket his own or force it over the table, _he_ loses a life and not the person whose ball he pocketed. _=8.=_ Should the player strike the wrong ball, he pays the same forfeit to the person whose ball he should have played at as he would have done if he had pocketed it himself. _=9.=_ If the striker miss the ball he ought to play at, and by the same stroke pocket another ball, _he_ loses a life, and not the person whose ball he pocketed; in which case the striker’s ball must be taken up, and both balls remain in hand until it be their several turns to play. _=10.
For we are going roving, A roving in this land; We ll take this pretty fair maid, We ll take her by the hand. Ye shall get a duke, my dear, And ye shall get a drake; And ye shall get a young prince, A young prince for your sake. And if this young prince chance to die, Ye shall get another; The bells will ring, and the birds will sing, And we ll clap hands together. --Chamber s _Popular Rhymes_, pp. 137-38. II. A-diss, a-diss, a-green grass, A-diss, a-diss, a-dass; Come, my pretty fair maid, And walk along with us. For you shall have a dik-ma-day, You shall have a dr[=a]gon; You shall have a nice young man With princes for his th[=e]gan (or s[=e]gan). --Lanarkshire (W. G.