) (I) An infantry-man may be moved a foot or any less distance at each move. (II) A cavalry-man may be moved two feet or any less distance at each move. (III) A gun is in action if there are at least four men of its own side within six inches of it. If there are not at least four men within that distance, it can neither be moved nor fired. (IV) If a gun is in action it can either be moved or fired at each move, but not both. If it is fired, it may fire as many as four shots in each move. It may be swung round on its axis (the middle point of its wheel axle) to take aim, provided the Country about it permits; it may be elevated or depressed, and the soldiers about it may, at the discretion of the firer, be made to lie down in their places to facilitate its handling. Moreover, soldiers who have got in front of the fire of their own guns may lie down while the guns fire over them. At the end of the move the gun must be left without altering its elevation and pointing in the direction of the last shot. And after firing, two men must be placed exactly at the end of the trail of the gun, one on either side in a line directly behind the wheels.
Twemlow). I. A dis, a dis, a green grass, A dis, a dis, a dis; Come all you pretty fair maids And dance along with us. For we are going roving, A roving in this land; We ll take this pretty fair maid, We ll take her by the hand. Ye shall get a duke, my dear, And ye shall get a drake; And ye shall get a young prince, A young prince for your sake. And if this young prince chance to die, Ye shall get another; The bells will ring, and the birds will sing, And we ll clap hands together. --Chamber s _Popular Rhymes_, pp. 137-38. II. A-diss, a-diss, a-green grass, A-diss, a-diss, a-dass; Come, my pretty fair maid, And walk along with us.
Musician: She must come to, and she shall come to, And she must come whether she will or no. Then the following words are sung as in the first example:-- Man: Welcome, Joan Sanderson, welcome, welcome. Both: Prinkum-prankum is a fine dance, And shall we go dance it once again, And once again, And shall we go dance it once again? Woman: This dance it will no further go. Musician: I pray you, madam, why say you so? Woman: Because John Sanderson will not come to. Musician: He must come to, and he shall come to, And he must come whether he will or no. And so she lays down the cushion before a man, who, kneeling upon it, salutes her, she singing-- Welcome, John Sanderson, &c. Then, he taking up the cushion, they take hands and dance round singing as before; and this they do till the whole company is taken into the ring. Then the cushion is laid down before the first man, the woman singing, This dance, &c., as before, only instead of come to, they sing go fro, and instead of Welcome, John Sanderson, &c., they sing Farewell, John Sanderson, farewell, &c.
=_ Owing to the peculiarity of the Knight’s move, many persons have amused themselves in trying to cover the entire chess board with a Knight, touching the same square once only, and returning to the starting-point again. There are several ways of doing this, one of the simplest being the following:-- [Illustration: +--+--+--+--+--+--+--+--+ |14|29|34|55|12|27|24|49| +--+--+--+--+--+--+--+--+ |35|56|13|28|33|50|11|26| +--+--+--+--+--+--+--+--+ |30|15|54|51|58|25|48|23| +--+--+--+--+--+--+--+--+ |41|36|57|32|61|52|63|10| +--+--+--+--+--+--+--+--+ |16|31|40|53|64|59|22|47| +--+--+--+--+--+--+--+--+ |37|42| 1|60|19|62| 9| 6| +--+--+--+--+--+--+--+--+ | 2|17|44|39| 4| 7|46|21| +--+--+--+--+--+--+--+--+ |43|38| 3|18|45|20| 5| 8| +--+--+--+--+--+--+--+--+ ] _=TEXT BOOKS.=_ Among the very large number of works on Chess there is abundant room for choice, but the following works are considered standard authorities on the game:-- Freeborough’s Chess Openings, 1896. Cook’s Synopsis. Minor Tactics of Chess, by Young and Howell. Modern Chess Instructor, by W. Steinitz. Common Sense in Chess, by E. Lasker. Walker’s Treatise on Chess, 1841.
There is often a very keen contest whether the one shall get his stick, or the other the ball, or Cat, first put into the hole. When the Cat _is in the hole_, it is against the laws of the game to put the ball into it.--Jamieson. (_b_) Kelly, in his _Scottish Proverbs_, p. 325, says, Tine cat, tine game; an allusion to a play called Cat i the Hole, and the English Kit-cat. Spoken when men at law have lost their principal evidence. See Cat and Dog, Cudgel, Kit-cat. Cat after Mouse This game, sometimes called Threading the Needle, is played by children forming a ring, with their arms extended and hands clasped; one--the Mouse--goes outside the circle and gently pulls the dress of one of the players, who thereupon becomes the Cat, and is bound to follow wherever the Mouse chooses to go--either in or out of the ring--until caught, when he or she takes the place formerly occupied in the ring by the Cat, who in turn becomes Mouse, and the game is recommenced.--Dorsetshire (_Folk-lore Journal_, vii. 214).
1- 5 14 10 24-28 23 19 28-32 15 18 32-27 10 6 27-32 19 23 5- 1 6 9 W wins ------ Var D. 9- 5 10 6 27-32 19 23 5- 1 6 9 32-28 23 27 W wins _=Fourth Position.=_ Black to play 28-24 32 28 24-20 28 32 22-18 31 27 23-19 27 31 19-24 32 27 24-28 27 32 18-22 31 27 22-26 30 23 28-24 B wins ----- White to play 31 27 23-19 27 31 19-24 32 27 24-20 27 32 22-18 31 27 28-24 27 31 18-23 31 26 Drawn _=Traps.=_ The beginner should be on his guard against being caught, “two for one,” especially in such positions as those shown in Diagrams Nos. 6 and 7. [Illustration: No. 6. +---+---+---+---+---+---+---+---+ | | | | ⛀ | | | | | +---+---+---+---+---+---+---+---+ | | | ⛀ | | | | | | +---+---+---+---+---+---+---+---+ | | | | | | | | | +---+---+---+---+---+---+---+---+ | | | ⛀ | | | | ⛂ | | +---+---+---+---+---+---+---+---+ | | | | | | | | | +---+---+---+---+---+---+---+---+ | ⛂ | | | | | | ⛂ | | +---+---+---+---+---+---+---+---+ | | | | | | | | | +---+---+---+---+---+---+---+---+ | | | | | | | | | +---+---+---+---+---+---+---+---+ ] [Illustration: No. 7. +---+---+---+---+---+---+---+---+ | | ⛀ | | | | ⛀ | | | +---+---+---+---+---+---+---+---+ | | | ⛀ | | | | | | +---+---+---+---+---+---+---+---+ | | | | | | ⛂ | | | +---+---+---+---+---+---+---+---+ | | | | | | | | | +---+---+---+---+---+---+---+---+ | | | | ⛂ | | | | | +---+---+---+---+---+---+---+---+ | | | | | | | | | +---+---+---+---+---+---+---+---+ | | | | | | ⛂ | | | +---+---+---+---+---+---+---+---+ | | | | | ⛂ | | | | +---+---+---+---+---+---+---+---+ ] In No.
516; Sulhampstead, Berks (_Antiquary_, vol. xxvii., Miss E. E. Thoyts); and Dorsetshire, Gathering nuts away (_Folk-lore Journal_, vii. 225). From Longcot, Berks, a version sent me by Miss I. Barclay has no fourth line to the verses. (_d_) This game is probably, unless we except Mulberry Bush, the most popular and the most widely played of any singing game. It might almost be called universal.