+-----------------------+-------------------------------+ | Play with Black Men. | Play with White Men. | +-------+-------+-------+-------+-------+-------+-------+ | _1_ | _2_ | _3_ | _4_ | _5_ | _6_ | _7_ | +-------+-------+-------+-------+-------+-------+-------+ | 11-15 | 11-15 | 10-15 | 11-15 | 11-15 | 11-15 | 10-15 | | 22 18 | 23 19 | 22 18 | 24 20 | 22 18 | 23 19 | 23 18 | | 15-22 | 8-11 | 15-22 | 8-11 | 15-22 | 8-11 | 12-16 | | 25 18 | 22 17 | 25 18 | 28 24 | 25 18 | 26 23 | 21 17 | | 8-11 | 3- 8 | 6-10 | 4- 8 | 8-11 | 4- 8 | 16-19 | | 29 25 |*17 14 | 29 25 | 23 19 | 29 25 | 30 26 | 17 14 | | 4- 8 | 9-18 | 10-15 |* 9-13 | 4- 8 |* 9-13 | 9-13 | | 24 20 | 21 17 |*25 22 | 20 16 | 24 20 | 19 16 | 24 20 | | 10-15 | 18-22 | 15-19 | 11-20 | 10-15 | 12-19 | 8-12 | | 25 22 | 25 18 | 23 16 | 22 17 | 25 22 | 23 16 | 25 21 | | 12-16 | 15-22 | 12-19 | 13-22 |* 9-13 | 11-20 | 12-16 | |*27 24 | 26 23 | 24 15 | 25 4 | 20 16 | 22 17 | 21 17 | | 15-19 | 5- 9 | 9-14 |W wins.| 12-19 | 13-22 | 4- 8 | | 24 15 | 17 13 | 18 9 | | 23 16 | 25 4 | 29 25 | | 16-19 | 11-15 | 11-25 | | 11-20 |W wins.| 6- 9 | | 23 16 | 23 18 |B wins.| | 18 4 | | 27 24 | | 9-14 | 1- 5 | | |W wins.| | 1- 6 | | 18 9 | 18 11 | | | | | 32 27 | | 11-25 | 7-23 | | | | | 6-10 | | 28 24 | 27 18 | | | | | 27 23 | | 5-14 | 9-14 | | | | | 8-12 | | 24 19 | 18 9| | | | | 25 21 | | 6-10 | 5-14 | | | | | 2- 6 | |B wins.|B wins.| | | | | 31 27 | | | | | | | | 3- 8 | | | | | | | | 30 25 | | | | | | | |W wins.| +-------+-------+-------+-------+-------+-------+-------+ _=LOSING GAME.
The dealer cannot go out on his own deal. He must stop at six, and win out by his own play. There are two ways to settle: Each may pay a certain amount to the pool, and the first man out take it all; or, after one is out, the two remaining finish the game, and the loser pays both or settles for the refreshments, as the case may be. If the first man goes out when it will be his turn to deal, he must deal the next hand. FOUR-HANDED SIXTY-SIX This game is sometimes called _=Kreutz-mariage=_, owing to the German fashion of dealing the cards in the form of a cross; but as the cards are not dealt that way, and marriages are not scored in America, the name is not appropriate in this country. The pack is increased to thirty-two cards by the addition of the Sevens and Eights. After the cards are cut by the pone, the dealer gives three to each player on the first round, then two, and then three again, turning up the last card for the trump. In Germany the dealer first gives two cards to his partner, then two to his left hand adversary, then two to his right hand adversary, and finally two to himself. This is continued for four rounds, so that each player receives eight cards, and the last is turned up for the trump. The turned-up trump belongs to the dealer, and cannot be exchanged.
We give an example. [Illustration: +-------+----+----+----+----++---------+--------+ | Pairs | a | b | c | d || Matches | Tricks | +-------+----+----+----+----++---------+--------+ | a | \ | +3 | -2 | +5 || 2 | +6 | | |----+----+----+----++---------+--------+ | b | -3 | \ | +4 | -1 || 1 | 0 | | |----+----+----+----++---------+--------+ | c | +2 | -4 | \ | -2 || 1 | -4 | | |----+----+----+----++---------+--------+ | d | -5 | +1 | +2 | \ || 2 | -2 | +-------+----+----+----+----++---------+--------+ ] The _=a=_ pair wins the tie with _=d=_, being 6 tricks plus. _=Six Pairs.=_ This is a very awkward number to handle, and should be avoided if possible. The whole could be played at three tables simultaneously; but such a course would necessitate their changing places ten times, following a very complicated schedule in so doing. The simplest way to handle six pairs is to arrange them at three tables, two of which are constantly in play, the third only half the time. This is the first position:-- b d f a 1 a c 2 c e 3 e b d f Tables 1 and 2 deal and play two hands each, and then exchange trays with each other. At table 3, two hands are dealt and played, both being left in the trays. The players at tables 1 and 2 then change adversaries; dealing, playing and exchanging two fresh hands. The players at the third table remain idle, or look on.
The pip value of the cards won in tricks count for the player at the end of the hand. The following values are for the melds: Four jacks are worth 200 Four aces, kings, queens, or tens 100 Five cards of any suit in sequence 100 Four cards of any suit in sequence 50 Three cards of any suit in sequence 20 King and queen of trumps 20 The melds are made after the player has played his card to the first trick, whether he wins that trick or not, but the melds are not credited to him on the slate unless he wins at least one trick during the play of the hand. _=METHOD OF PLAYING.=_ When four play it is sometimes permissible for one to pass out, each in turn to the left having the right. The first thing is for the holder of the six of trumps to exchange it for the turned-up trump. The player to the left of the dealer then leads any card he pleases, and each player in turn must follow suit and must head the trick if he can; by trumping if he has none of the suit led. As soon as a card is played, the player makes his meld, announcing its pip value. The winner of the last trick scores five points for it. _=SCORING.=_ Sometimes 1,000 points is a game, as in pinochle, and the first player to call out wins if he is correct; if not he loses.
Just some nights. Since I broke my vow, I ve lost most of my prophecy. My real gift is healing. Lost _all_ of that, she concluded, not bitterly. God is punishing me. Gravel crunched as she came slowly across the roof toward me. The fag end of her cigarette made a spinning arc in the night as she snapped it over the side of the roof. Now there was no way to see her at all. Perception is nice in the dark. I tracked her automatically.
Some content themselves with playing a “system” against banking games, which is merely a guide to the placing of the bets, the simplest example of which would be to bet always on heads if a coin was tossed a thousand times, or to bet on nothing but red at Roulette. Others depend more on martingales, which are guides to the amount of the bets themselves, irrespective of what they are placed on. The most common form of martingale is called _=doubling up=_, which proceeds upon the theory that if you lose the first time and bet double the amount the next time, and continue to double until you win, you must eventually win the original amount staked. If there was no end to your capital, and no betting limit to the game, this would be an easy way to make money; but all banking games have studied these systems, and have so arranged matters that they can extend their heartiest welcome to those who play them. In the first place, by simply doubling up you are giving the bank the best of it, because you are not getting the proper odds. If you double up five times you are betting 16 to 1; but the odds against five successive events are 31 to 1, as we have already seen, and the bank should pay you 31 instead of 16. You should not only double, but add the original amount of the stake each time, betting 1, 3, 7, 15, 31, 63, and so on. If you do this, you will win the amount of your original stake for every bet you make, instead of only for every time you win. This looks well, but as a matter of fact doubling up is only another way of borrowing small sums which will have to be paid back in one large sum when you can probably least afford it. Suppose the game is Faro, the chips five dollars a stack, and the limit on cases twenty-five dollars.
If he plays to make a sequence, you can sometimes hold him off until you get the score, and he will be unable to continue the run without passing 31. Play one of two cards that form a five, such as 3 and 2; 4 and A. If he plays a tenth card to it, you can peg fifteen. In playing on, you should make all the sequences possible, taking chances of your adversary’s being able to continue the run. If you think he is leading you on, you must be guided by the state of the score as to how much you can risk. Toward the end, you must reckon pretty closely how many points you can afford to risk your adversary’s making without putting him out. If you have enough in your hand to get out on the show, you should not attempt to make a single point in play. Pair nothing, for he might come out with a pair royal; make no runs, for he might extend them. But if you have not enough to show out, you must take every chance to peg the difference, because if you cannot get out in play and first show, the dealer has not only both hand and crib against you, but the first show on the next deal. In six-card Cribbage, the usual pegging for the play is five holes for the dealer, and four or five for the non-dealer.
Miss Peacock sends a version which obtains at Lincoln, Horncastle, Winterton, and Anderby, Lincolnshire, and in Nottinghamshire; it is identical with the Liphook version. Two versions from Sporle, Norfolk, which vary slightly from the Leicester, have been sent by Miss Matthews. The versions given from Lancashire, Yorks., Nottingham, and North Staffs. have been selected to show the process of decadence in the game. Hopper has first become upper, and then other. Of the North Staffs. Potteries version Miss Keary says, How it ends I have never been able to make out; no one about here seems to know either. With the exception of these few variants, it is singular how stereotyped the words of the rhyme have become in this game. (_d_) This game may owe its origin to the fact of the miller in olden times paying himself in kind from the corn brought to him to be ground.
Two undertake to personate a goodman and a goodwife; the rest a family of marriageable daughters. One of the lads, the best singer of the party, retires, and equips himself in a dress proper for representing an old bachelor in search of a wife. He comes in, bonnet in hand, bowing, and sings-- Guid e en to ye, maidens a , Maidens a , maidens a , Guid e en to ye, maidens a , Be ye or no. I m come to court Janet jo, Janet jo, Janet jo, I m come to court Janet jo, Janet, my jo. Goodwife sings--What ll ye gie for Janet jo, Janet jo, Janet jo? What ll ye gie for Janet jo, Janet, my jo? Wooer--I ll gie ye a peck o siller, A peck o siller, peck o siller, I ll gie ye a peck o siller, For Janet, my jo. Goodwife says--Gae awa , ye auld carle! Then sings--Ye se never get Janet jo, Janet jo, Janet jo, Ye se never get Janet jo, Janet, my jo. The wooer hereupon retires, singing a verse expressive of mortification, but soon re-enters with a reassured air, singing-- I ll gie ye a peck o gowd, A peck o gowd, a peck o gowd, I ll gie ye a peck o gowd, For Janet, my jo. The matron gives him a rebuff as before, and he again retires discomfited, and again enters, singing an offer of twa pecks o gowd, which, however, is also refused. At his next entry he offers three pecks o gowd, at which the good wife brightens up and sings-- Come ben beside Janet jo, Janet jo, Janet jo, Ye re welcome to Janet jo, Janet, my jo. The suitor then advances gaily to his sweetheart, and the affair ends in a scramble for kisses.
[Illustration] _=Matching.=_ All games of dominoes are based upon the principle of matching, or following suit; which requires that each domino played shall belong to the same suit as one of the exposed ends of the line of dominoes already played, and exposed upon the table. In playing a domino, it must be so placed that the end of it shall match and adjoin the exposed end of the line; a six being played to a six, a four to a four, and so on. Each domino, as played, is laid face upward on the table, the ends abutting, and doublets being laid across, or at right angles to the line. The principal games are divided into two classes; those in which the object is to _=block=_ a player, so that he cannot follow suit, and those in which the object is to make the ends of the line some multiple of _=five=_ or _=three=_. The Block Game will be described first. _=THE BLOCK GAME.=_ Each player draws seven dominoes, and the one whose turn it is to set lays down any domino he pleases. If a good player, he will select one of his longest suit, especially if he has three or more, and his object will be to get the line back to his suit as often as possible. If a player had to set with the hand of dominoes shown in the foregoing diagram, he would select the 5-0, because he has four of the 5 suit, and three of the 0 suit.
Fiddler: They must come to, they shall come to, And tell them I say so. The cushion-holder then goes to the girl he fancies most, and drops the cushion at her feet. She kneels down with him on the cushion, and he salutes her, and they then rise and dance round and round to the fiddler. The girls then go through the same thing, saying, young men, and then a young man, &c., until the whole company have gone through the same ceremony, which concludes with all dancing round three times, as at the commencement. The Norfolk and London versions are reduced to a simple Kiss in the Ring game, with the following verse:-- Round the cushion we dance with glee, Singing songs so merrily; Round the cushion we dance with glee, Singing songs so merrily; Yet the punishment you must bear If you touch the cushion there. --Sporle, Norfolk (Miss Matthews). (_c_) Selden, in his _Table Talk_, thus refers to this game:-- The Court of England is much altered. At a solemn dancing first you have the grave measures, then the Cervantoes and the Golliards, and this is kept up with ceremony. At length to Trenchmore and the _Cushion Dance_; and then all the company dance, lord and groom, lady and kitchen-maid, no distinction.
Diehl. 1891. Skat, by E.E. Lemcke. 1887. All but the first two on the list treat of the old game, bidding by suits, and making no mention of Guckis; but some of them, especially Buhle’s, contain some very fine examples of good play. The first two on the list and the last two are in English. All the others are in German. AMERICAN SKAT.
In the example just given suppose that A, on being called by D, had shown three fours, and that D had three deuces. A would take the entire pool, including all the antes, and the four blues and one red staked by B after the draw. It might be that B would now discover that he had _=laid down=_ the best hand, having held three sixes. This discovery would be of no benefit to him, for he abandoned his hand when he declined to meet the raises of A and D. If the hands are exactly a tie, the pool must be divided among those who are in at the call. For instance: Two players show aces up, and each finds his opponent’s second pair to be eights. The odd card must decide the pool; and if that card is also a tie the pool must be divided. If no bet is made after the draw, each player in turn throwing down his cards, the antes are won by the last player who holds his hand. This is usually the age, because he has the last say. If the age has not made good his ante, it will be the dealer, and so on to the right.
Penzance Miss Courtney, Mrs. Mabbott. CUMBERLAND Dickinson s _Glossary_. DERBYSHIRE { _Folk-lore Journal_, vol. i., Mrs. { Harley, Mr. S. O. Addy.
If an adversary refuses to trump a suit, it is imperative to keep on with it until he does; for it is always good play to force an adversary to do what he does not wish to do. Any person may convince himself of the soundness of this theory of forcing, by giving himself the six highest cards in any suit, three small cards in the others, and four trumps; giving another player the four best trumps, and nine of the highest cards in two suits. If the first player forces the second with his good suit, and continues every time he gets the lead, he must win six tricks; if he does not, the second player makes a slam. A deliberate force from a partner should always be accepted, if he is a good player. We may now turn our attention to the conventionalities used by players who are opposed to the establishment of suits in the hands of the leader and his partner. These are divided between the Second and the Fourth Hand, the former being the more important. Generally speaking, they are the tactics of defence. _=SECOND HAND PLAY.=_ The player who is second to play on any trick is called the Second Hand. It is his duty to protect himself and his partner, as far as possible, in the adversaries’ strong suits.
The first two walk together till there is a third, then the three walk together till there is a fourth, then they go in couples. In the Northants version, from Raunds, four boys stand in the centre of the ring. When the verses are sung they choose four girls, and then take their places in the ring. The four girls then choose four lads, and so on. At Earls Heaton the children stand against a wall in a line. Another child walks up and down singing the verses, and chooses a partner. He spreads a handkerchief on the ground, and they kneel and kiss. (_c_) The Shipley version is a Kiss in the Ring game. A version sent by the Rev. W.