Should the player with the incorrect number of cards be the caller or his partner, the hand must be played out. Should the caller make good his proposition, he neither receives nor pays on that hand. If he fails, he must pay. Should the player with the defective hand be the adversary of the caller, he and his partners must pay the stakes on that hand, which may then be abandoned. Should two players have an incorrect number of cards, one of them being the caller, there must be a new deal. CARDS LIABLE TO BE CALLED. 20. The following cards are liable to be called by either adversary:-- I. Every card faced upon the table otherwise than in the regular course of play, but not including a card led out of turn. II.

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=_ Two styles of score-pad are now in general use. In one the tricks and honours are entered in the same vertical column, one above the other, and are all added in one sum at the end. In the other style of pad the tricks are in one column and the honours and penalties in another, so that four additions are required to find the value of the rubber, which is always the difference between the total scores after giving the winners of two games 250 points. The following illustration will show both styles of pad: WE ||THEY || 36 || 30 18 || 100 16 || ====++==== 8 || || 40 ----++---- || 36 ----++---- || 250 ----++---- 42 || 492 || 42 |+---- || 450 WE || THEY 8 | 16 || | | 18 || | 100 | || 40 | 30 ----+----++----+----- | || 36 | 36 ----+----++----+----- 8 | 34 || 76 | 166 | 8 || | 76 +----+| | 250 | 42 || +----- | || | 492 | || | 42 | || +----- | || | 450 The scoring on which this rubber is won and lost was as follows: WE started with a contract to win one heart and made it, with simple honours, scoring 8 toward game and 16 above for honours. Then THEY set a contract for two tricks, getting 100 in penalties, against simple honours in royals, scored as 18 above for WE and 100 for THEY. Then THEY made four odd at no trump and 30 aces, winning the first game, under which a line is drawn. On the next deal THEY made four odd in royals, with four honours, 36 each way, winning the second game and also the rubber, for which they add 250 points. Both scores are now added up and the lower deducted from the higher, showing that THEY win 450 points on the balance. _=CUTTING OUT.=_ At the conclusion of the rubber, if there are more than four candidates for play, the selection of the new table is made by cutting; those who have just played having an equal chance with the newcomers.

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--Jamieson. See Blind Man s Buff. Joggle along I. Come all you young men In your youthful ways, And sow your wild oats In your youthful days. Then you ll be happy, Then you ll be happy, As you grow old. For the day s far spent, And the night s coming on, So give us your arm, and We ll joggle along. --Penzance, Cornwall (Mrs. Mabbott). II. Come all ye young men, with your wicked ways, Sow all your wild oats in your youthful days, That we may live happy, that we may live happy, That we may live happy when we grow old.

The batsmen, keeping their sticks in the holes, then agree which of the two holds the Cat. One batsman runs across and puts his stick into the hole behind which the boy kneels whom they consider has the Cat, the other then running to his place. If they are right in their guess, the holder of the Cat throws it across the ground for the opposite bowler to put it in the hole before the second batsman reaches it. If they guess wrongly, the holder of the Cat puts it into the hole as soon as the batsman runs, and they then become the batsmen for the next game. If the batsmen leave their holes unguarded with the stick, the catsmen can at any time put them out, by putting the Cat in a hole. If more than two boys on a side play, the others field as in Cricket. --Barnes (A. B. Gomme). See Cat and Dog.

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Suppose _=C=_ makes a march, 3 points, which puts him on a level with _=A=_. On _=A’s=_ deal it is _=C’s=_ game to euchre him, but _=B=_ must let _=A=_ make his point; so that instead of being opposed by both _=B=_ and _=C=_, as he was a moment ago, _=A=_ finds a friend in _=B=_, and the two who were helping each other to beat _=A=_, are now cutting each other’s throats. On _=B’s=_ deal, _=A=_ does not want to euchre him, for although that would win the game for both _=A=_ and _=C=_, _=A=_, who now has 4 points up, does not wish to divide the pool with _=C=_ while he has such a good chance to win it all himself. Suppose _=B=_ makes his point. _=A=_ will do all he can to euchre _=C=_, but _=B=_ will oppose the scheme, because his only chance for the game is that _=A=_ will not be able to take up the trump on his own deal, and that _=B=_ will make a march. SET-BACK EUCHRE. This is simply a reversal of the ordinary method of scoring, the players starting with a certain number of points, usually ten, and deducting what they make on each deal. The peculiarity which gives the game its name is that if a player is euchred he is _=set back=_ two points, his adversaries counting nothing. The revoke penalty is settled in the same way. The game is usually counted with chips, each player starting with ten, and placing in the centre of the table those that he is entitled to score.

Fourth-best, the fourth card of a suit, counting from the top. The modern substitute for the terms penultimate, and antepenultimate. Front Stall, one who makes acquaintances for gamblers to fleece. Frozen, balls touching at billiards. Frozen Out, a player who has lost his original stake, and cannot continue in the game. Fuzzing, milking the cards instead of shuffling them. Gallery, the spectators who are betting on the game. Gambling, risking more than one can well afford to lose on any game of chance. Gambler’s Point, the count for “game” at Seven-up. Gammon.

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There are several ways of doing this, one of the simplest being the following:-- [Illustration: +--+--+--+--+--+--+--+--+ |14|29|34|55|12|27|24|49| +--+--+--+--+--+--+--+--+ |35|56|13|28|33|50|11|26| +--+--+--+--+--+--+--+--+ |30|15|54|51|58|25|48|23| +--+--+--+--+--+--+--+--+ |41|36|57|32|61|52|63|10| +--+--+--+--+--+--+--+--+ |16|31|40|53|64|59|22|47| +--+--+--+--+--+--+--+--+ |37|42| 1|60|19|62| 9| 6| +--+--+--+--+--+--+--+--+ | 2|17|44|39| 4| 7|46|21| +--+--+--+--+--+--+--+--+ |43|38| 3|18|45|20| 5| 8| +--+--+--+--+--+--+--+--+ ] _=TEXT BOOKS.=_ Among the very large number of works on Chess there is abundant room for choice, but the following works are considered standard authorities on the game:-- Freeborough’s Chess Openings, 1896. Cook’s Synopsis. Minor Tactics of Chess, by Young and Howell. Modern Chess Instructor, by W. Steinitz. Common Sense in Chess, by E. Lasker. Walker’s Treatise on Chess, 1841. Handbuch des Schachspiels.

No matter how strong or well established a plain suit may be, it is of uncertain value as long as the adversaries have any trumps with which to stop it. A suit is established when you can probably take every trick in it. If a player with a good established suit is sufficiently strong to make it probable that he can, with his partner’s assistance, exhaust the adverse trumps, he should do so by leading trumps. If they are probably stronger than he, he must _=force=_ them, by leading the established suit which they will be compelled to trump, weakening their hands and gradually reducing their trump strength until it is possible to exhaust what remains by leading. It being to the advantage of the player with a good suit to exhaust the trumps, it must be desirable to his adversaries to keep theirs, if possible, for the purpose of ruffing this good suit. Trumps are also useful as cards of re-entry, when a player has an established suit, but has not the lead; their most important use, however, is in defending or stopping established suits. _=Rules for Leading Trumps.=_ With five or more trumps, the beginner should always begin by leading them, regardless of the rest of his hand. With three or less he should never lead them, unless he has very strong cards in _=all=_ the plain suits. With four trumps exactly, he should lead them if he has an established suit and a card of re-entry in another suit.

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Whoever catches him is then Bull.--Liphook, Hants (Miss Fowler). The Bull in the Barn is apparently the same game. The players form a ring; one player in the middle called the Bull, one outside called the King. Bull: Where is the key of the barn-door? Chorus: Go to the next-door neighbour. King: She left the key in the church-door. Bull: Steel or iron? He then forces his way out of the ring, and whoever catches him becomes Bull.--Berrington (Burne s _Shropshire Folk-lore_, pp. 519, 520). Another version is that the child in the centre, whilst the others danced around him in a circle, saying, Pig in the middle and can t get out, replies, I ve lost my key but I will get out, and throws the whole weight of his body suddenly on the clasped hands of a couple, to try and unlock them.

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Second hand should never take the dealer out of a losing suit with a winning suit unless he has seven tricks in his own hand. If the dealer bids no trump, second hand should pass, unless he is prepared to over-call any further bid for three tricks. _=Third Hand=_ is not obliged to take the dealer out of a spade, and should not do so unless he is a trick or two stronger than he would have to be to declare as dealer. But the dealer must never be left in with a two or three spade bid. If third hand cannot do any better, he should declare a royal. When the dealer bids no trump, third hand should take him out with any weak five card suit and nothing else, simply to warn him that there are no winning cards in the hand. Always take him out with five cards in a winning suit, no matter how strong the rest of the hand. Take the dealer out of one suit with another suit only to deny his suit. Take him out of a winning suit with no trump, only to deny his suit and show strength in each of the three other suits. If the dealer bids no trump and second hand calls a suit, double if you can stop the suit twice, otherwise show any good suit of your own, but do not go two no-trumps unless you can do it all yourself.

They planoformed with the ships. They rode beside them in their six-pound craft ready to attack. The tiny ships of the Partners were swift. Each carried a dozen pinlights, bombs no bigger than thimbles. The pinlighters threw the Partners--quite literally threw--by means of mind-to-firing relays direct at the Dragons. What seemed to be Dragons to the human mind appeared in the form of gigantic Rats in the minds of the Partners. Out in the pitiless nothingness of space, the Partners minds responded to an instinct as old as life. The Partners attacked, striking with a speed faster than Man s, going from attack to attack until the Rats or themselves were destroyed. Almost all the time, it was the Partners who won. With the safety of the inter-stellar skip, skip, skip of the ships, commerce increased immensely, the population of all the colonies went up, and the demand for trained Partners increased.

When the verses are sung they choose four girls, and then take their places in the ring. The four girls then choose four lads, and so on. At Earls Heaton the children stand against a wall in a line. Another child walks up and down singing the verses, and chooses a partner. He spreads a handkerchief on the ground, and they kneel and kiss. (_c_) The Shipley version is a Kiss in the Ring game. A version sent by the Rev. W. Slater Sykes from Settle, Yorkshire, is almost identical with the Earls Heaton version. Northall (_Folk Rhymes_, p.

London Bridge is falling down, Falling down, falling down, London Bridge is falling down, My fair lady. Build it up with mortar and bricks, Mortar and bricks, mortar and bricks, Build it up with mortar and bricks, My fair lady. [Then follow verses in the same style and with the same refrain, beginning with--] Bring some water, we ll wash it away. Build it up with silver and gold. Silver and gold will be stolen away. We ll set a man to watch at night. Suppose the man should fall asleep? Give him a pipe of tobacco to smoke. Suppose the pipe should fall and break? We ll give him a bag of nuts to crack. Suppose the nuts were rotten and bad? We ll give him a horse to gallop around, &c. --Enborne School, Berks (M.

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After all, hadn t he _wanted_ to lose? They all do. I couldn t get very upset over his curses. So far he had lost one buck, net. And he d had some action. So much for gamblers. I kept control of the dice while each new gambler handled them. I was having a good night. Of course, by that time I had handled the dice, which always improves my TK grip. Every point I had TK d came up. For all the perception I kept on the ivories, I could sense no other TK force at work, which after all was the whole reason for my gambling.

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61. Should the dummy call attention to any other incident in the play in consequence of which any penalty might have been exacted, the declarer may not exact such penalty. Should the dummy avail himself of rights (_h_) or (_i_), after intentionally looking at a card in the hand of a player, the declarer may not exact any penalty for the offence in question. 62. If the dummy, by touching a card or otherwise, suggest the play of one of his cards, either adversary may require the declarer to play or not to play such card. 62_a_. If the dummy call to the attention of the declarer that he is about to lead from the wrong hand, either adversary may require that the lead be made from that hand. 63. Dummy is not subject to the revoke penalty; if he revoke and the error be not discovered until the trick be turned and quitted, whether by the rightful winners or not, the trick must stand. 64.

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_=THE CARPET.=_ Shuffle and cut the pack. Deal out twenty cards in four rows of five cards each, face up. This is the carpet. Any aces found in it are taken out and used to form a fifth row, either at the bottom or the side. The holes made in the carpet by removing the aces are then filled up from the pack. Cards are then taken from the carpet to build upon the aces in ascending sequence, following suit, and the holes in the carpet are continually filled up with fresh cards from the top of the pack. As other aces appear they are laid aside to start the sequence in the suit to which they belong. When you are stopped, deal the cards remaining in the pack in a pile on the table by themselves, face upward. If any card appears which can be used in the ascending sequences, take it, and if this enables you to make more holes in the carpet, do so.