They insist on the rule of at least one fresh card from the hand for each additional meld in one case, but totally disregard it in another, as when they meld 240 for the round trip, instead of only 220. These local errors have crept into many of the Hoyles now upon the market, the works having probably been compiled from the individual knowledge of the author, limited by his experience in a certain locality. Many of these works devote much space to a certain game, which is evidently the compiler’s pet, and which is accurately described; while other and equally important games are full of errors and omissions, betraying a lamentable want of care in consulting the literature of the subject. While the author of this work does not believe it possible to compile a work that shall be universally accepted as the authority on all games, as a dictionary would be on spelling, he deems it at least possible to select what seems the most common usage, or the best rule, preserving the true spirit of the game, and to describe it accurately and bring the whole up to date. THE WHIST FAMILY. The most popular card games of the present day undoubtedly belong to the whist family, which embraces all those played with a full pack of fifty-two cards, ranking from the ace to the deuce, one suit being trumps, and the score being counted by tricks and honours, or by tricks alone. The oldest and most important of the group is whist itself. The game appears to be of English origin, its immediate parent being “ruff and honours.” This was an old English game in which twelve cards only were dealt to each player, the uppermost of the remaining four being turned up for the trump suit. Whoever held the ace of trumps could “ruff” or take in these four cards, discarding in their place any four he chose.
--Jamieson. Halliwell (_Dictionary_) says this is a northern name for the game of Shake Cap, and Brockett (_North Country Words_) speaks of it as a game much practised among the young pitmen and keelmen. Jingo-ring Here we go by jingo-ring, jingo-ring, jingo-ring, Here we go by jingo-ring, and round by merry-ma-tansy. --Sporle, Norfolk (Miss Matthews). Sung to the Mulberry or Ivy bush tune. The children form a ring and dance round singing. At the last word they all fall down. See Merry-ma-tansa. Jinkie A game among children, in which they run round a table trying to catch one whose business is by quick turns to elude them.--Jamieson.
2 [Illustration: 🃗 🃘 🂷 🂸 🂹] 47,768 18,012 3 [Illustration: 🂷 🂸 🂮 🂧 🃇] 46,039 19,741 4 [Illustration: 🂧 🂨 🃇 🃗 🃞] 43,764 22,016 5 [Illustration: 🃇 🃈 🃘 🃗 🂾] 45,374 20,406 6 [Illustration: 🃗 🃘 🃈 🃉 🂭] 44,169 21,611 7 [Illustration: 🂷 🂸 🃙 🃚 🃋] 43,478 22,302 8 [Illustration: 🂧 🂨 🂺 🂱 🃑] 44,243 21,537 9 [Illustration: 🃇 🃈 🂡 🂫 🂸] 44,766 21,014 10 [Illustration: 🃗 🃘 🂾 🂫 🃇] 44,459 21,321 11 [Illustration: 🂷 🂸 🂮 🃁 🃙] 44,034 21,746 12 [Illustration: 🂧 🂨 🃎 🃚 🂺] 43,434 22,346 13 [Illustration: 🃇 🃈 🂨 🂽 🃞] 44,766 21,014 14 [Illustration: 🃗 🃘 🃁 🂭 🂻] 46,779 19,001 15 [Illustration: 🂷 🂸 🃛 🃋 🂫] 45,929 19,851 The player should always stand on a hand containing three trumps, not including the King, and should lead the trump:-- 16 [Illustration: 🂷 🂸 🂹 🂧 🃇] 42,014 to 23,766 An example of a hand containing only one trump has already been given, and some hands are jeux de règle which contain no trumps. The strongest of these is the King of each plain suit, and any queen. Lead the K Q suit:-- 17 [Illustration: 🃞 🃗 🂾 🂭 🂮] 48,042 to 17,738 The odds in favour of this hand are greater than in any other jeux de règle. Another which is recommended by Bohn is this, the odds in favour of which have not been calculated; the player to begin with the guarded King:-- 18 [Illustration: 🃞 🃗 🃍 🃇 🂮] Another is any four court cards, not all Jacks; unless one is the trump Jack guarded. From the example the Queen should be led:-- 19 [Illustration: 🂫 🂧 🂻 🃛 🃝] There are two hands which are usually played with only one trump, from both of which the best card of the long suit is led:-- 20 [Illustration: 🂷 🂧 🂨 🂨 🂮] 21 [Illustration: 🃗 🃇 🃈 🃍 🂮] _=THE LEADER.=_ There are a great many more opportunities to make the vole than most players are aware of; especially with jeux de règle. Where the vole is improbable or impossible, tenace is very important, and all tenace positions should be made the most of. In No. 5, for instance, if the clubs were the Queen and ace, it would be better to begin with the heart King, instead of leading away from the minor tenace in clubs. Observe the lead in No.
Block, Haimmer (Hammer), and Nail This is a boys game, and requires seven players. One boy, the Block, goes down on all fours; another, the Nail, does the same behind the Block, with his head close to his _a posteriori_ part. A third boy, the Hammer, lies down on his back behind the two. Of the remaining four boys one stations himself at each leg and one at each arm of the Hammer, and he is thus lifted. He is swung backwards and forwards three times in this position by the four, who keep repeating Once, twice, thrice. When the word Thrice is repeated, the _a posteriori_ part of the Hammer is knocked against the same part of the Nail. Any number of knocks may be given, according to the humour of the players.--Keith (Rev. W. Gregor).
Should two or more players revoke in the same hand, each must pay the entire losses in the hand, as if he were alone in error; so that if two should revoke, and a third win the pool, he would receive twenty-six counters, instead of thirteen. In Auction Hearts the revoking player must pay the amount of the bid in addition. 25. The claimant of a revoke may search all the tricks at the end of a hand. The revoke is established if the accused player mixes the cards before the claimants have time to examine them. 26. A revoke must be claimed before the tricks have been mixed, preparatory to shuffling for the next deal. 27. If a player is lawfully called upon to lead a certain suit, or to play the highest of it, and unnecessarily fails to comply, he is liable to the penalties for a revoke. 28.
Moreover, he was tempted by the poorness of our cover on our right to attempt to outflank and enfilade us there. Accordingly, partly to get cover from our two central guns and partly to outflank us, he sent the whole of his left wing to the left of Firely Church, where, except for the gun, it became almost a negligible quantity. The gun came out between the church and the wood into a position from which it did a considerable amount of mischief to the infantry on our right, and nearly drove our rightmost gun in upon its supports. Meanwhile, Red s two guns on his right came forward to Hook s Farm, rather badly supported by his infantry. Once they got into position there I perceived that we should be done for, and accordingly I rushed every available man forward in a vigorous counter attack, and my own two guns came lumbering up to the farmhouse corners, and got into the wedge of shelter close behind the house before his could open fire. His fire met my advance, littering the gentle grass slope with dead, and then, hot behind the storm of shell, and even as my cavalry gathered to charge his guns, he charged mine. I was amazed beyond measure at that rush, knowing his sabres to be slightly outnumbered by mine. In another moment all the level space round the farmhouse was a whirling storm of slashing cavalry, and then we found ourselves still holding on, with half a dozen prisoners, and the farmyard a perfect shambles of horses and men. The melee was over. His charge had failed, and, after a brief breathing--space for my shot--torn infantry to come up, I led on the counter attack.
See Namers and Guessers. Hen and Chicken Chickery, chickery, cranny crow, I went to the well to wash my toe, When I got back a chicken was dead. This verse is said by the Hen to her Chickens, after which they all go with the Hen to search for the dead Chicken. On their way they meet the Fox. The following dialogue between the Fox and Hen ensues, the Hen beginning:-- What are you doing? Picking up sticks. What for? To make a fire. What s the fire for? To boil some water. What s the water for? To boil some chickens in. Where do you get them from? Out of your flock. That I m sure you won t.
He also moves up sufficient men to take possession of Red s lost gun. On the right Blue s gun engages Red s and kills one man. All this the reader will see clearly in figure 9, and he will also note a second batch of Red prisoners--this time they are infantry, going rearward. Figure 9 is the last picture that is needed to tell the story of the battle. Red s position is altogether hopeless. He has four men left alive by his rightmost gun, and their only chance is to attempt to save that by retreating with it. If they fire it, one or other will certainly be killed at its tail in Blue s subsequent move, and then the gun will be neither movable nor fireable. Red s left gun, with four men only, is also in extreme peril, and will be immovable and helpless if it loses another man. Very properly Red decided upon retreat. His second gun had to be abandoned after one move, but two of the men with it escaped over his back line.
I. Follow my gable oary man, Follow my gable oary man, I ll do all that ever I can To follow my gable oary man. We ll borrow a horse and steal a gig, And round the world we ll have a jig, And I ll do all that ever I can To follow my gable oary man. --Earls Heaton, Yorks (Herbert Hardy). II. Holy Gabriel, holy man, Rantum roarum reeden man, I ll do all as ever I can To follow my Gabriel, holy man.[3] --Redhill, Surrey (Miss G. Hope). III. I sell my bat, I sell my ball, I sell my spinning-wheel and all; And I ll do all that ever I can To follow the eyes of the drummer man.
Beginners usually have some difficulty in following the moves of the Knights, because it frequently happens that the same square can be reached by either of them. The Bishops cannot be confused in this way, because they never change the colour of the square they stand upon. In some sets of chessmen the Knights are distinguished by putting a small crown on the King’s Knight, but this is never done in the regulation Staunton model. The beginner will find it very convenient, when following out the play of published games, to screw off the bottom of one white and one black Knight, and to exchange the bases. The white King’s Knight will then have a black base, and the black King’s Knight will have a white base, and they can be easily identified at any period of the game. _=GERMAN NOTATION.=_ Many of our standard chess books, and some of the best edited chess columns, are in German, and the student should be familiar with the German notation, which is much simpler than the English. The white men are always considered as the side nearer the player; the vertical columns are designated from left to right by the letters a b c d e f g h; and the horizontal rows by the numbers 1 2 3 4 5 6 7 8, beginning at the bottom, or white side. The pieces are designated by one capital letter only, as follows:-- K for König, or King. D for Dame, or Queen.
This is the “book,” but all over the book count toward making good on the contract, according to the following table: When Spades are trumps, each trick counts 2 points. ” Clubs ” ” ” ” ” 6 ” ” Diamonds ” ” ” ” ” 7 ” ” Hearts ” ” ” ” ” 8 ” ” Royal Spades ” ” ” ” ” 9 ” ” there are no trumps, ” ” ” 10 ” The game is 30 points, which must be made by tricks alone, so that three over the book, called three “by cards,” will go game from love at no trump, or four by cards at hearts or royals. These are called the _=Major=_ or _=Winning Suits=_. As it takes five by cards to go game in clubs or diamonds, and on account of the difficulty of such an undertaking, these are called the _=Minor=_ or _=Losing Suits=_. An original bid of one spade can be made only by the dealer, and it simply means, “I pass.” That is, the dealer has nothing to declare on the first round of the bidding. [See note at foot of page 58.] _=RANK OF THE BIDS.=_ In order to over-call a previous bid, whether of the partner or the opponent, the bidder must undertake to win the same number of tricks in a suit of higher value, or a greater number of tricks having the same aggregate value as the preceding bid. Players should restrict themselves to the same form of expression throughout, and all bids, even passing, must be made orally and not by gesture.
You can go to the King, you can go to the King, To the King of the Barbarines. --Clapham, Surrey (Miss F. D. Richardson). III. Will you surrender, will you surrender The Tower of Barbaree? We won t surrender, we won t surrender The Tower of Barbaree. We will go and tell the Queen, Go and tell the Queen of Barbaree. Don t care for the Queen, don t care for the Queen, The Queen of Barbaree. Good morning, young Queen, good morning, young Queen, I have a complaint to thee. Pray what is your complaint to me? They won t surrender, they won t surrender The Tower of Barbaree.
The man who lifts them up is more than probably a cheat. Never play with a man who looks intently at the pack and shuffles the cards slowly. If he is not locating the cards for the ensuing deal he is wasting time, and should be hurried a little. Never play with a person who leaves the cut portion of the pack on the table, and deals off the other part. In small parties this is a very common way of working what is known as _=the top stock=_. If such a dealer is carefully watched it will usually be found that he seizes the first opportunity to place the part cut off on the top of the part dealt from. The top stock is then ready for the draw, and the judicious player should at once cash his chips and retire from the game. Never play with a man who continually holds his cards very close to his body, or who completely conceals his hand before the draw, or who takes great care to put his discard among previous discards, so that the exact number of cards put out cannot be counted. He is probably working a vest or sleeve hold-out. Some clumsy or audacious sharpers will go so far as to hold out cards in their lap, or stick them in a “bug” under the table.
Patience, or Solitaire, has probably claimed the attention of every card-player at some time or other, and one cannot fail to be impressed by the number and ingenuity of the patience games which have been invented. One of the most expensive works on cards ever published is devoted exclusively to Solitaire. Among all these odd games one should be able to find something to amuse all sorts and conditions of card-players. The only apparatus required in any of them is a pack of cards and a few counters, and for the latter corn or coffee-beans will form an excellent substitute. SOLO. Under the name of Solo, the Germans play a great many variations of card games, of which the following is the best known. _=Cards.=_ Solo is played with a pack of thirty-two cards, which rank A K Q J 10 9 8 7. One suit is always first preference, or _=colour=_, and the suit usually selected is clubs. Any suit may be made the trump, but whatever the suit, the club Queen, _=Spadilla=_, is always the best trump; the Seven of the trump suit, _=Manilla=_, is always the second-best trump; and the spade Queen, _=Basta=_, is always the third-best trump.
NAPOLEON, OR NAP. This is one of the simplest, and at the same time most popular of the euchre family. Few games have become so widely known in such a short time, or have had such a vogue among all classes of society. So far as the mere winning and losing goes, the result depends largely upon luck, and skill is of small importance. Except in a long series of games the average player has little to fear from the most expert. _=CARDS.=_ Napoleon is played with a full pack of fifty-two cards, which rank A K Q J 10 9 8 7 6 5 4 3 2; the ace being highest in play; but ranking below the deuce in cutting. _=COUNTERS.=_ As each deal is a complete game in itself it must be settled for in counters, to which some value is usually attached. One player is selected for the banker, and before play begins each of the others purchases from him a certain number of counters, usually fifty.
Why? Kind of made me feel more decent about bein divorced. I gave her a last shake for the lie. Let s have it, I went after her. How much of what you ve been feeding me is just window dressing? She shrugged, but stayed silent. _Have_ you been married? I insisted. Yes, Billy Joe. _And_ divorced? Oh, darlin Billy, she sighed. I jest shouldn t never a _done_ that. But I did, she added. Talk English, I snapped.
Conkers. Conquerors. Contrary, Rules of. Cop-halfpenny. Corsicrown. Cots and Twisses. Course o Park. Crab-sowl. Crates. Cricket.
=_ If a player wishes to go over the first offer made, he must either bid the same number of tricks in a better suit, or he must increase the number of tricks. No player can increase his own bid unless he is overbid in the interval, but there is no limit to the number of times that players may outbid one another. Observe that the dealer may bid or pass, and each player after him in turn may bid or pass. The highest bidder must abide by his announcement both as to the number of tricks and the suit. _=The Play.=_ No matter who dealt the cards, the player to the left of the highest bidder always leads for the first trick. Each player in turn must follow suit if he can, and the highest card played, if of the suit led, wins the trick, trumps winning all other suits. The winner of one trick leads for the next, and so on. There is no Dummy hand as in bridge. _=Scoring.
; and North Staffs. Potteries (Miss Keary). V. The farmer s dog lay on the hearth, And Bingo was his name oh! B-i-n-g-o, B-i-n-g-o, B-i-n-g-o, And Bingo was his name oh! --Nottinghamshire (Miss Winfield). VI. The miller s dog lay on the wall, And Bingo was his name Oh! B-i-n-g-o, And Bingo was his name Oh! --Maxey, Northants (Rev. W. D. Sweeting). VII.
What shall we dress her in, Dress her in, dress her in? What shall we dress her in, Dress her in white? White s what the dead wear, The dead wear, the dead wear; White s what the dead wear, And that will do. --Liphook, Hants (Miss Fowler). XV. Come to see Jinny Jones, Jinny Jones Come to see Jinny Jones, And where is she now? Jinny is washing, is washing, Jinny is washing, And you can t see her now. Very well, very well, lady, lady, Very well, lady, That will do. [Then follow-- (1) starching, (2) ironing, (3) dying, (4) dead.] What shall we follow in, follow in? What shall we follow in? We ll follow in blue. Blue is for sailors, for sailors, Blue is for sailors, And that won t do. [_or_, You can t follow her so.] [Then follow-- Red is for soldiers, White is for weddings, Yellow is for babies.
231). We ll follow our mother to market, To buy herself a basket; When she comes home she ll break our bones, We ll follow our mother to market. --Hersham, Surrey (_Folk-lore Record_, v. 84). A version familiar to me is the same as above, but ending with For tumbling over cherry stones. The mother then chased and beat those children she caught. The idea was, I believe, that the children were imitating or mocking their mother (A. B. G.).
--Cornwall (_Folk-lore Journal_, v. 60). Buff 1st player, thumping the floor with a stick: Knock, knock! 2nd ditto: Who s there? 1st: Buff. 2nd: What says Buff? 1st: Buff says Buff to all his men, And I say Buff to you again! 2nd: Methinks Buff smiles? 1st: Buff neither laughs nor smiles, But looks in your face With a comical grace, And delivers the staff to you again (handing it over). --Shropshire (Burne s _Shropshire Folk-lore_, p. 526). Same verses as in Shropshire, except the last, which runs as follows:-- Buff neither laughs nor smiles, But strokes his face With a very good grace, And delivers his staff to you. --Cheltenham (Miss E. Mendham). Same verses as in Shropshire, except the last, which runs as follows:-- Buff neither laughs nor smiles, But strokes his face for want of grace, And sticks his staff in the right place.
Red s Left Wing attempting to join the Main Body.] Figure 1 shows the country of the battlefield put out; on the right is the church, on the left (near the centre of the plate) is the farm. In the hollow between the two is a small outbuilding. Directly behind the farm in the line of vision is another outbuilding. This is more distinctly seen in other photographs. Behind, the chalk back line is clear. Red has won the toss, both for the choice of a side and, after making that choice, for first move, and his force is already put out upon the back line. For the sake of picturesqueness, the men are not put exactly on the line, but each will have his next move measured from that line. Red has broken his force into two, a fatal error, as we shall see, in view of the wide space of open ground between the farm and the church. He has 1 gun, 5 cavalry, and 13 infantry on his left, who are evidently to take up a strong position by the church and enfilade Blue s position; Red s right, of 2 guns, 20 cavalry, and 37 infantry aim at the seizure of the farm.
These are usually the most popular games with the middle and lower classes in the countries in which they are found, and may be considered as distinctly national in character. Games that become popular with the masses always last longer than others, and the rules governing them are much better understood, and more firmly established. In the course of a century the English aristocracy have run the gamut of Quadrille, Ombre, Whist, Écarté, Bézique, Piquet, Rubicon, and Bridge; while the middle classes have stuck steadily to Cribbage for nearly two hundred years. Six of these popular games are strikingly typical of the national character, both in their construction, and in the manner of playing them. These are: Skat in Germany; Cribbage in England; Piquet in France; Conquian in Mexico; Calabrasella in Italy; and Cassino in America. All these are excellent games, and have deservedly survived much more pretentious rivals. With the exception of Skat, little is known of the exact origin of any of these games, although most of them may be traced by their resemblance to more ancient forms. Skat is the most modern, and to-day the most popular, many persons thinking it superior to Whist. The game seems to have originated among the farmers of Thuringia, a province of Saxony, and was probably a variation of the Wendish game of Schapskopf. The first mention of Skat that we can find is in an article in the “Osterländer Blättern,” in 1818.
It was the rage during and long after the French Revolution, but has lately had to share public attention with Baccara, and even with Le Poker Américain. It has many points in common with three-stake Brag, and is evidently descended from the same stock. By many persons Bouillotte is considered superior to Poker, because it offers the player many opportunities to speculate on winning by the aid of cards that are not in his own hand. _=Cards.=_ Bouillotte is played with a piquet pack, reduced to twenty cards, only the A K Q 9 8 of each suit being retained. The ace is the highest card in play and in cutting. If five persons play, the Jack of each suit is added; if only three play, the Queens are discarded, reducing the pack to sixteen cards. Two packs are generally used alternately. _=Counters=_ or chips are used, as in Poker, instead of money. Any player may be the banker.