In studying openings, the student should be careful always to play with the winning side next him; that is, never study how to play a losing game. If the variation ends with a plus sign, showing a win for the white, play it over with the white men next you. In selecting openings for general use in play, if it is one for the white men, take those openings that have the greatest number of variations ending in favour of white. The Ruy Lopez is a very good opening for beginners, and the Evans’ Gambit may be studied later. The French Defence and the Petroff are good openings for Black. The theory of opening is to mobilise your forces for the attack in the fewest possible moves. Lasker thinks six moves should be enough for this purpose, and he recommends that only the King’s and Queen’s Pawns should be moved, after which each piece should be placed at once upon the square from which it can operate to the best advantage. He thinks the Knights should be first brought out, and posted at B 3, and then the K’s B, somewhere along his own diagonal. The great mistake made by beginners is that they rush off to the attack and try to capture some of the adverse pieces before they have properly prepared themselves for re-inforcement or retreat. It should never be forgotten that the game is not won by capturing the adversary’s pieces, but by check-mating his King.
47. If the single player leads out of turn, the cards must be taken back if the trick is not complete and the adversary who has not played demands it. If both adversaries have played to the false lead, the trick stands. If an adversary has played to his false lead, the player cannot take it back unless the other adversary permit it. 48. If an adversary of the player leads out of turn, and the player calls attention to it, the player may immediately claim his game as won and abandon the hand; or he may insist that the play proceed with a view to making the adversaries schneider or schwarz. Whether he proceeds or not his game is won, and he may either let the false lead stand, or insist on a lead from the proper hand. 49. If, during the progress of the hand, the player lays his cards on the table, face up, and announces that he has won his game by reaching 61 or 91, whichever may be necessary to make good his bid, and it is proved that he is mistaken, he loses his game, even if he could have taken up his cards again and won it. 50.
=_ Something will interfere with his good intentions. Queen. Your best girl. _=R.=_ She is jealous. Jack. A probable marriage. _=R.=_ It may have to be postponed. Ten.
7.] The strategy of the game consists in so deploying your men that alluring openings are left for your adversary. These openings are always pitfalls of the most dangerous character, and whenever you think a good player has made a mistake and left you a chance, you should examine the position with great care, or you will probably walk into a trap. The first of the example games given in this work is a case in point. White’s move, 27 24, is apparently the best possible, yet it immediately and hopelessly loses the game. Sometimes these traps are set very early in the opening, and sometimes after the pieces have been pretty well developed. There are many cases in which a good player may take advantage of the weakness of an adversary by making moves which are really losing moves, and which would lead to immediate defeat if he were opposed by an expert. But if he feels that his adversary is not skilful enough to take advantage of these losing moves, a winning position may sometimes be rapidly obtained by departing from the regular development of the opening. The beginner should be satisfied with learning only one or two forms of the openings, committing to memory as many variations as possible. When he meets with a line of play that beats him, he should study out the variation in his text books, and see at what point he made the losing move.
Probably it took the name from a fancied resemblance to a dance, in the motions of the men. Dr. Johnson professes that he knew no more of it than that it was some rustic game. Another commentator speaks of it as common among shepherds boys in some parts of Warwickshire. It cannot well be more common there than here, and it is not particularly rustic. Shepherds boys and other clowns play it on the green turf, or on the bare ground; cutting or scratching the lines, on the one or the other. In either case it is soon filled up with mud in wet weather. In towns, porters and other labourers play it, at their leisure hours, on the flat pavement, tracing the figure with chalk. It is also a domestic game; and the figure is to be found on the back of some draught-boards. But to compare _morris_ with that game, or with chess, seems absurd; as it has a very distant resemblance, if any at all, to either, in the lines, or in the rules of playing.
Jolly Fishermen [Music] --Tean, North Staffs. (Miss Burne). I. They were two jolly fishermen, They were two jolly fishermen, They were two jolly fishermen, And just come from the sea, And just come from the sea. They cast their nets into the sea, And jolly fish caught we, And jolly fish caught we, And jolly fish caught we, They cast their nets into the sea, And jolly fish caught we. --Tean and Cheadle, North Staffs. (Miss Burne). II. There was three jolly fishermen, And they all put out to sea. They cast their nets into the sea, And the [three?] jolly fish caught we.
One, two, three. --Warwick (from a little girl living near Warwick, through Mr. C. C. Bell). XIII. How many miles to London? Three score ten. Can I get there by candle-light? Yes, and back again. Open the gate and let me through. Not unless you re black and blue.
Be glad for a mechanical mind. Where do you lift four thousand pounds of car aimed right at you? Well, there is a small valve, can t weigh half an ounce, lightly spring-loaded, that is in the power-steering mechanism. I seared a lift at it. You know what happened. The feedback of the power-steering wrenched the wheel from the driver s hand--it was ten times as strong as he was, dragging its power as it did from a four-hundred horsepower shaft turning 30,000 rpm. The car careened and skidded across the curb. It took out a small marble rail around the fountain pool and dived in, still screaming rubber. The fountain went over with a crash and then the racket dwindled off in the shriek of twisted buckets. The turbine had gotten what for in the collision. I didn t hang around to see what had happened to the driver.
=_ Any player failing to follow suit, when able to do so, may amend his error if he discovers his mistake before the trick in which it occurs has been turned and quitted. The card played in error then becomes an exposed card. Those who have played after him have the privilege of withdrawing their cards and substituting others, without penalty. Should the revoking player not discover his error in time, the hand must be played out, and if the revoke is detected and claimed the player in error must pay all the losses on that hand. Should the revoking player win the pool himself, he must pay the thirteen counters to the pool, and leave them for a _=Jack=_. Should he divide the pool with another player, he must pay his co-winner six counters, and put up the other seven for a Jack. If two or more players revoke in the same hand, each must pay the entire losses in that hand as if he were alone in error; so that if two should revoke and a third win the pool, the latter would receive twenty-six counters instead of thirteen. In Auction Hearts, the revoking player must also refund the amount put up by the bidder. A revoke must be claimed and proved before the pool is divided. Non-compliance with a performable penalty is the same as a revoke.
|L. B. is broken down. | | 6.| -- | -- | -- | | 7.|Grant said the little | -- | -- | | |bee. | | | | 8.| -- |Dance o er my lady | -- | | | |lee. | | | 9.| -- | -- |My fair lady.
NO DEALER PLAYER PROPOSAL. WINS. WINS. 22 [Illustration: 🃗 🃘 🃙 🃇 🂧] 6,034 36,974 22,772 23 [Illustration: 🂷 🂸 🂡 🂨 🂧] 9,826 38,469 17,485 24 [Illustration: 🂧 🂨 🂾 🂷 🃗] 8,736 41,699 15,345 25 [Illustration: 🃇 🃈 🃝 🃗 🂷] 9,256 40,524 16,000 26 [Illustration: 🃗 🃘 🃇 🃈 🂭] 10,336 37,484 17,960 27 [Illustration: 🂷 🂸 🃘 🃙 🃋] 9,776 37,439 18,565 28 [Illustration: 🂧 🂨 🂹 🂺 🃚] 9,776 36,909 19,095 29 [Illustration: 🃇 🃈 🃗 🃁 🃈] 9,776 36,733 19,271 In giving cards, some judgment of human nature is necessary. Some players habitually propose on strong hands, and it is best to give to such pretty freely. _=DISCARDING.=_ The general principle of discarding is to keep trumps and Kings, and let everything else go. If you hold the trump King you may discard freely in order to strengthen your hand for a possible vole. If you have proposed once, and hold the King, and feel pretty sure of the point, you may propose again on the chance of getting strength enough to make the vole. When only two cards can be discarded, it is a safe rule to stand on the hand; either to play without proposing, or to refuse cards; unless you hold the King.
_=The English Game.=_ When the players count double and triple games, it is not an uncommon thing to play for the gammon, especially against inferior adversaries, or when one gets a decided advantage at the start. The first thing is to secure your own or your adversary’s five point, or both, and if you succeed in that you should play a very forward game, and endeavour to gammon your opponent. After the five-points, secure your bar point, so as to prevent your opponent from “running” with double sixes. Some players think the bar point better than the five point, but it must be remembered that points in the home table are usually better than any outside. If you get the five and bar points made up, try for the four point, and after that you may take some risks to get your men home, and do not take up your opponent’s men if you are ahead of him, because they may give you trouble when they re-enter in your home table. _=The American Game.=_ When a gammon or backgammon counts you nothing more if you win it, and costs you nothing more if you lose it, the tactics of the game are entirely changed. It is folly to take any risks for the sake of a gammon, and any plays which leave unnecessary blots are very bad; for which reason the three throws shown in the foregoing diagram would be absurd in the American game. On the other hand, you may risk being gammoned, or even backgammoned, if it is the only way to save the game.
| | 9.|Wife makes a pudding. |Girl makes a pudding. |Girl makes a pudding. | |10.|Husband cuts a slice. |Boy cuts a slice. |Asks boy to taste. | |11.|Fixing of wedding day.
Three players only took part in the game--the Post, the Buck, and the Rider. The words used by the Rider were-- Buck, buck, how many horns do I hold up? If the guess was wrong, the Rider gave the Buck as many blows or kicks with the heel as the difference between the correct number and the number guessed. This process went on till the correct number was guessed, when the Rider and the Buck changed places.--Rev. W. Gregor. (_b_) Dr. Tylor says: It is interesting to notice the wide distribution and long permanence of these trifles in history when we read the following passage from Petronius Arbiter, written in the time of Nero:-- Trimalchio, not to seem moved by the loss, kissed the boy, and bade him get up on his back. Without delay the boy climbed on horseback on him, and slapped him on the shoulders with his hand, laughing and calling out, Bucca, bucca, quot sunt hic? --_Petron. Arbitri Satiræ_, by Buchler, p.
In Ross and Stead s _Holderness Glossary_ this is described as a girls game, in which two carry a third as a pot of honey to market. It is mentioned by Addy (_Sheffield Glossary_) and by Holland (_Cheshire Glossary_). Mr. Holland adds, If the hands give way before twenty is reached it is counted a bad honey pot; if not, it is a good one. In Dublin the seller sings out-- Honey pots, honey pots, all in a row, Twenty-five shillings wherever you go-- Who ll buy my honey pots? --Mrs. Lincoln. The game is mentioned by a writer in _Blackwood s Magazine_, August 1821, p. 36, as being played in Edinburgh when he was a boy. Hood A game played at Haxey, in the Isle of Axholme, on the 6th of January. The Hood is a piece of sacking, rolled tightly up and well corded, and which weighs about six pounds.
Upton-on-Severn Lawson s _Glossary_. { Atkinson s, Addy s, Easther s, YORKSHIRE { Hunter s, Robinson s, Ross and Stead s { _Glossaries_, Henderson s _Folk-lore_, { ed. 1879. Almondbury Easther s _Glossary_. Epworth, Lossiemouth Mr. C. C. Bell. Earls Heaton, Haydon, { Mr. H.
| -- | -- | -- | |41.| -- | -- | -- | |42.| -- | -- | -- | |43.| -- | -- | -- | |44.| -- | -- |Off to prison you must| | | | |go. | |45.| -- |Huzza! it will last | -- | | | |for ages long. | | |46.| -- | -- | -- | |47.| -- | -- | -- | |48.
Chambers (_Popular Rhymes_, p. 141) suggests that this incident was introduced for the purpose of beginning the game again, but this seems extremely doubtful, in consideration of the Liphook variant, in which Miss Fowler says, It is no uncommon thing for Jenny Jones to be swung into life again; and the still more significant Southampton version, where Jenny Jones appears in the character of the Ghost, and scatters and pursues the surrounding mourners. This detail is also used by the Northants and Barnes children, the version of whose game is very like the Southampton one. On the whole, the analysis would suggest that there has been a game played by the children of both England and Scotland, the leading incidents of which have been varied in accordance with the conditions of life. Mr. Napier (_Folk-lore Record_, iv. 474), in his description of the West Scotland example, evidently considered the game to be thoroughly representative of Scottish life, and this, indeed, seems to be the most striking feature of the game in all the variants. The domestic economy which they reveal is in no case out of keeping with the known facts of everyday peasant life, and many a mother has denied to her child s friends the companionship they desired because of the work to be done. In most cases the burden of the song rests upon the question of health, but in two cases, namely, Colchester and Deptford, the question is put as to where Jenny Jones is at the time of the visit. It is curious that the refrain of Farewell, ladies, should appear in such widely separated districts as Scotland, Northamptonshire, Norfolk, Middlesex, Hants, Lincoln, and Barnes.
| PLAYER. | PLAYED.| WON BY | TOTAL +----+-----+-----+ | FIRST | GAMES |WON.|LOST.|DREW.| | PLAYER. | PLAYED. ---------------------+----+-----+-----+--------+---------+--------- Ruy Lopez |145 |103 | 58 | 306 | 57 | 20 Queen’s Pawn(a) | 97 | 63 | 39 | 199 | 48 | 13 French Defence | 84 | 48 | 39 | 171 | 60 | 11 Vienna | 47 | 34 | 15 | 96 | 57 | 6 Sicilian Defence | 40 | 29 | 10 | 79 | 57 | 5 King’s Gambit | 36 | 32 | 11 | 79 | 52 | 5 Giuoco Piano | 36 | 32 | 10 | 78 | 52 | 5 Evans | 34 | 20 | 12 | 66 | 61 | 4 Irregular | 29 | 31 | 14 | 74 | 49 | 5 Scotch | 22 | 26 | 9 | 57 | 47 | 4 Zukertort | 23 | 17 | 11 | 51 | 56 | 3 Two Knights Defence | 16 | 20 | 10 | 46 | 46 | 3 Staunton’s | 19 | 15 | 5 | 39 | 55 | 3 Fianchetto | 13 | 14 | 2 | 29 | 48 | 2 Petroff Defence | 15 | 9 | 3 | 27 | 61 | 2 Centre Gambit(b) | 11 | 11 | 4 | 26 | 50 | 2 Philidor Defence | 8 | 9 | 3 | 20 | 47 | 1 Miscellaneous | 22 | 29 | 6 | 57 | 44 | 4 +----+-----+-----+--------+---------+--------- Total |697 |542 | 261 | 1500 | | ---------------------+----+-----+-----+--------+---------+--------- The first player won 55.2 per cent. of games played, counting drawn games as one-half.
The fattening process is followed when the dealer can make the original ante what he pleases; but if the ante for jacks is a fixed sum, such as a red counter, it is not usual to fatten the pot at all. This saves all disputes as to _=who is shy=_, one of the greatest nuisances in Poker. _=Opening Jacks.=_ As there is no age or straddle in any form of jack pot, the player to the left of the dealer has the first say, and must examine his hand to see if he has Jacks or better; that is to say, either an actual pair of Jacks, or some hand that would beat a pair of Jacks if called upon to do so, such as two pairs, a straight, or triplets. In some localities it is allowed to open jacks with a _=bobtail=_; that is, four cards of a flush or straight. If the player on the dealer’s left has not openers, or does not care to open the pot if he has, he says: “I pass;” but he does not abandon his hand. The next player on his left must then declare. In some places players are allowed to throw down their cards when they pass; but in first-class games a penalty of five white counters must be paid into the pool by any player abandoning his hand before the second round of declarations, as it gives an undue advantage to players with medium hands to know that they have only a limited number of possible opponents. For instance: If six play, and the first three not only pass, but throw down and abandon their cards, a player with a pair of Jacks will know that he has only two possible adversaries to draw against him, which will so increase his chances that it may materially alter his betting. If no one acknowledges to holding Jacks or better, the pot is fattened, and the cards are reshuffled and dealt.
52). II. Here we go round the rules of contrary, When I say Hold fast! let go, and when I say Let go! hold fast. --London (A. B. Gomme). (_b_) A ring is formed by each child holding one end of a handkerchief. One child stands in the centre and acts as leader. The ring moves round slowly. The leader says the words as above while the ring is moving round, and then suddenly calls out whichever he chooses of the two sayings.
--Jamieson. See Cobbler s Hornpipe, Cutch-a-Cutchoo. Curly Locks [Music] I. Curly locks, curly locks, Wilt thou be mine? Thou shalt not wash dishes Nor yet feed the swine; But sit on a fine cushion And sew a fine seam, And feed upon strawberries, Sugar and cream. --Earls Heaton (Herbert Hardy). II. Bonny lass, canny lass, Wilta be mine? Thou s nowder wesh dishes Nor sarra the swine: But sit on thy crippy, &c. --Dickinson s _Cumberland Glossary_. (_b_) Two children, a girl and a boy, separate from their fellows, who are not particularly placed, the boy caressing the girl s curls and singing the verses. (_c_) This game is evidently a dramatic representation of wooing, and probably the action of the game has never been quite completed in the nursery.
213); Penzance (Mrs. Mabbott). II. I wrote a letter to my love, and on the way I lost it. Some one has picked it up. Not you, not you (&c.), but you! --Much Wenlock (_Shropshire Folk-lore_, p. 512). III. I lost my supper last night, and the night before, And if I lose it this night, I shall never have it no more.
67. Buck i t Neucks A rude game amongst boys.--Dickinson s _Cumberland Glossary_. Buckerels A kind of play used by boys in London streets in Henry VIII. s time, now disused, and I think forgot (Blount s _Glossographia_, p. 95). Hall mentions this game, temp. Henry VIII., f. 91.
A trump is turned by the dealer, and Matrimony is King and Queen of trumps, Intrigue Queen and Jack of trumps, Confederacy, King and Jack of trumps. The player holding these cards will of course be able to play both of them if he can play one in a sequence, and will take the pool for the combination. If he holds one card and another player holds the other, they divide the pool. If one of the cards is in the stock, the pool remains. In some places it is the custom to remove the Eight of diamonds, as at Commit, to form an extra and known stop. The player first getting rid of his cards takes the pool on Game, and the holder of Pope takes that pool if he can get rid of the card in the course of play, if not, he must double the pool, just as with the honours in trumps. NEWMARKET, OR STOPS. This game, which is sometimes called Boodle, is Pope Joan without the pope. The four cards forming the layout are the ♡A, ♣K, ♢Q, ♠J; but there is no ♢7. The dealer names any number of counters that he is willing to stake, which must be at least four, and each player at the table must stake a similar amount.
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His adversary then has the right either to play his hand, or to exchange it for the one on his right; but the dealer must play the hand dealt to him. THIRTEEN AND THE ODD. This is Humbug Whist without the discard. The dealer gives thirteen cards to his adversary and to himself, one at a time, and turns up the next for the trump. The trump card belongs to neither player. The winner of the odd trick scores a point. Five points is game. MORT. WHIST À TROIS; OR FRENCH DUMMY. _=MORT=_ means simply the dead hand; and is the equivalent of the English word Dummy; the partner being known as _=Vivant=_, or the living hand.
The players may be of any number. They place their caps or bonnets in a row. One of the boys takes a ball, and from a fixed point, at a few yards distance from the bonnets, tries to throw it into one of the caps (fig. 1). If the ball falls into the cap, all the boys, except the one into whose cap the ball has fallen, run off. The boy into whose cap the ball has been thrown goes up to it, lifts the ball from it, and calls out Stop! The other boys stop. The boy with the ball tries to strike one of the other boys (fig. 2). If he does so, a small stone is put into the cap of the boy struck. If he misses, a stone is put into his own cap.
No deviation from these laws can be permitted by an Umpire, even by mutual or general consent of the players, after a match or tournament shall have been commenced. The decision of the Umpire is final, and binds both and all the players. RULES FOR PLAYING THE GAME AT ODDS. I. In games where one player gives the odds of a piece, or “the exchange,” or allows his opponent to count drawn games as won, or agrees to check-mate with a particular man, or on a particular square, he has the right to choose the men, and to move first, unless an arrangement to the contrary is agreed to between the combatants. II. When the odds of Pawn and one move, or Pawn and more than one move are given, the Pawn given must be the King’s Bishop’s Pawn when not otherwise previously agreed on. III. When a player gives the odds of his King’s or Queen’s Rook, he must not Castle (or more properly speaking leap his King) on the side from which the Rook is removed, unless before commencing the game or match he stipulates to have the privilege of so doing. IV.
In the example just given suppose that A, on being called by D, had shown three fours, and that D had three deuces. A would take the entire pool, including all the antes, and the four blues and one red staked by B after the draw. It might be that B would now discover that he had _=laid down=_ the best hand, having held three sixes. This discovery would be of no benefit to him, for he abandoned his hand when he declined to meet the raises of A and D. If the hands are exactly a tie, the pool must be divided among those who are in at the call. For instance: Two players show aces up, and each finds his opponent’s second pair to be eights. The odd card must decide the pool; and if that card is also a tie the pool must be divided. If no bet is made after the draw, each player in turn throwing down his cards, the antes are won by the last player who holds his hand. This is usually the age, because he has the last say. If the age has not made good his ante, it will be the dealer, and so on to the right.