Two children cross their hands in the fashion known as a sedan chair. A third child sits on their hands. The two sing the first line. One of them sings, You re the lock, the other sings, and I m the key, and as they sang the words they unclasped their hands and dropped their companion on the ground. Mr. J. P. Emslie writes, My mother learned this from her mother, who was a native of St. Laurence, in the Isle of Thanet. The game possibly belongs to Kent.
=_ Each player rolls ten frames or innings, in each of which he is supposed to have three balls, although as a matter of fact he rolls two only. In match games, two alleys are used, and the players roll one inning on each alternately. _=A Strike=_ is made when all ten pins are knocked down with the first ball of the innings, and it is scored on the blackboard with a cross, the number of pins made with the three balls being filled in afterward. _=A Spare=_ is made when all ten pins are knocked down with the two balls of one inning, and it is marked with a diagonal stroke. If the player fails to get either a strike or a spare, it is a _=Break=_, marked with a horizontal line, under which is written the actual number of pins down. After each ball is rolled any pins that have fallen on the alley are called _=deadwood=_, and must be removed before the second ball is rolled. _=Counting.=_ If a player makes a strike in one inning, all that he makes on the next two balls rolled, whether in one inning or not, counts also on the strike, so as to give him the total score on three balls for the frame. Three successive strikes would give him 30 points on the first frame, with a ball still to roll to complete the second frame, and two balls to roll to complete the third. If he got two strikes in succession, and 5 pins on the first ball of the third frame, 4 on the second ball, the first frame would be worth 25, the second frame 19, and the break on the third frame 9; making his total score 53 for the three frames.
If it was his adversary’s card, he must show his own card also. If he has not seen it, he may put it back without penalty. If he draws out of turn, he must restore the card improperly drawn, and if it belongs to his adversary, the player in error must show his own card. If both draw the wrong cards there is no remedy, and each must keep what he gets. If the loser of any trick draws and looks at two cards from the stock, his adversary may look at both cards of the following draw, and may select either for himself. If he chooses the second card, which his adversary has not seen, he need not show it. If, on account of some undetected irregularity, an even number of cards remain in the stock, the last card must not be drawn. The winner of the trick takes the last but one, and the loser takes the trump card. _=OBJECTS OF THE GAME.=_ The aim of each player is to reach 1000 points before his adversary, and the one first reaching that number, and announcing it, wins the game.
ii. p. 141, under Care Cloth. King s Chair Two children join hands, by crossing their arms, so as to form a seat. A third mounts on the crossed arms, and clasps the carriers round their necks, while they move on saying-- King, King Cairy (carry) London lairy, Milk an bread, In the King s chairie. This game is played at Keith, without the words. The words are used at Fochabers.--Rev. W. Gregor.
Our bridal veil may probably originate in this custom. In the ballad from which Mr. Newell thinks the game may have originated, a maid has been given in marriage to another than her chosen lover. He rides to the ceremony with a troop of followers; the bride, seeing him approach, calls on her maidens to take off her gold crown and coif her in linen white, to test her bridegroom s affection. This incident, I think, is not to test affection, but the ordeal of recognising his bride, however disguised, and the fact that the hero at once recognises his love, mounts with her on horseback, and flees to Norway, may be considered to support my view. See also Brand, vol. ii. p. 141, under Care Cloth. King s Chair Two children join hands, by crossing their arms, so as to form a seat.
Any player in his proper turn to bid may take the widow, and from the total of ten cards so obtained select five on which he must bid nap, discarding the others face downward. _=Peep Nap.=_ In this variety of the pool game one card only is dealt to the widow, usually on the first round. Each player in turn, before bidding or passing, has the privilege of taking a private peep at this down card, on paying one counter to the pool. The card is left on the table until the highest bidder is known, and he then takes it into his hand, whether he has paid to peep at it or not. He must then discard to reduce his hand to five cards. If a player bids nap it usually pays those following him to have a peep at the down card in case the bidder should retain it in his hand. SPOIL FIVE. Spoil Five is one of the oldest of card games, and is generally conceded to be the national game of Ireland. It is derived from the still older game of Maw, which was the favourite recreation of James the First.
Take out any aces showing, and place them in a row by themselves for “foundations.” Build up on these aces in sequence and suit to kings. On the layout, build in descending sequence, red on black, black on red, turning up the top card when any pile is left without a faced card upon it. If there is more than one card face up on any pile, they must be removed together or not at all. Spaces may be filled only with kings. The stock is run off three cards at a time, and any card showing can be used. The pack can be run through in this manner until no cards showing can be used, but there must be no shuffling or rearrangement of the cards. Sometimes it is the rule to run through the pack once only, turning up one card at a time. The object of the game is to see how many cards can be built on the ace row. A better average can usually be obtained when the pack is run off three at a time with the privilege of running through again and again as long as any card can be used.
See Hop-scotch. Hick, Step, and Jump The game of Hop, step, and jump. --Somerset (Holloway s _Dict. of Provincialisms_). See Half-Hammer. Hide and Seek (1) A writer in _Blackwood s Magazine_, August 1821, p. 36, mentions this as a summer game. It was called Ho, spy! the words which are called out by those boys who have hidden. He says the watchword of Hide and seek was hidee, and gives as the rhyme used when playing-- Keep in, keep in, wherever you be, The greedy gled s seeking ye. This rhyme is also given by Chambers (_Popular Rhymes_, p.
---- Roberts). There were several games played with buttons--some on level ground, in a ring or square; but the most approved was with a hole dug in the earth near a wall, or near the trunk of a large tree. The hole should be about the cavity of a small tea-cup, the players toeing a scratched line about four or five feet from the hole, after tossing for first innings. Each of the players (mostly two) contribute an equal number of buttons, say from two to ten, and of equal value or quality. The one having first turn takes the whole of them in his hand, and by an under-throw, or rather a pitch, endeavours to get the whole, or as many as possible, into the hole. If all go clean into the hole, he wins the game, and takes the whole of the buttons started with; but if one or more of the buttons are left outside the hole, the non-player has then the choice of selecting one which he considers difficult to be hit, and requesting the player to hit it with his _nicker_. This is made of solid lead, about the size of a florin, but twice its substance, and each player is provided with one of his own. Much judgment is required in making this selection, the object being to make it most difficult not only to hit it, but to prevent it being hit without being knocked into the hole, or sending the nicker in, or sending another button in, or even not striking one at all. In any one of these cases the player loses the game, and the non-player takes the whole of the stakes. In playing the next game, the previous non-player becomes the player.
This, for example, hearts trumps:-- ♡ K 6 2 ♣ 8 6 2 ♢ A Q 6 4 3 ♠ A 10 The trey of diamonds is the best opening. If there were no re-entry, such as only 10 2 of spades instead of A 10, we should open the 10 of spades. Although we open a great many short suits, we avoid weak three-card suits except in rare instances. While our system, like all others, entails losses at times, it seems to avoid many of the pitfalls that confront the player who always opens his long suit, regardless of the possibilities of ever bringing it in. In many instances we find he places himself in the worst possible position for any chance to make even one trick in the suit he opens. We admit that if a team adopts straight American leads, it is much easier for them to count the partner’s hand accurately; but it seems to me that this advantage is more than overcome by the fact that in our openings we have a clear idea as to the general character of the partner’s hand while there is still time to take advantage of the knowledge. In the long-suit game this element is entirely wanting. _=IN CONCLUSION.=_ The first-class whist-player is usually developed gradually. If he possess the faculty of paying close attention to the game while he is playing, nothing should prevent his rapid progress.
=_ This is a most important element, and there is no surer indication of a careless or weak player than his inattention to the score. One cannot be too early impressed with the importance of saving the game before trying to win it; although great risks may be taken to win a game that cannot be lost that hand. Never risk a sure contract in the hope of making more; unless the two will win the game, and the odd trick will not win it. Never risk a trick that will save the game in the hope of winning more, and always set a contract while you can. _=DISCARDING.=_ This is one of the still unsettled questions of bridge tactics, some believing in discarding the weak suit always; others the strong suit always, and others one or the other according to the declaration. Against a trump declaration almost every one agrees that it is best to discard the best suit, so that if your partner gets in before you do, he may have something to guide him as to what your best chance is for any more tricks. Against no-trumpers, the majority of players hug every possible trick in their long suit and discard their weak suits, on the ground that it is folly to throw away cards that might win tricks. While this is true, it is also true that in discarding their weak suit they too often enable the declarer to win tricks that they might have stopped. For this reason, many players _=discard the suit they are not afraid of=_; that is, their best protected suit, and keep what protection they have in the weak suits, even if it is nothing but three to a Jack or ten.
When the 3 is face up, but covered by the 4 face down, it counts _=one=_. When the 4 is face up, covered by the 3 face down, it counts _=two=_. When the 4 is face down, covered by the 3 face up, it counts _=three=_. When the 3 is face down, covered by the 4 face up, it counts _=four=_. [Illustration: [🃓 covered by [🃔 covered by [🃓 covering a [🃔 covering a facedown card] facedown card] facedown card] facedown card] ONE. TWO. THREE. FOUR. ] The number of pips exposed on the card which is face up is immaterial; the relative position of the two cards will always determine the score. Rubber or game scores must be kept on a whist marker, or on a sheet of paper.
On the next and all following turns, the winning card on the previous turn will be placed on the same pile as the Soda, so that it shall be possible at any time to decide which cards have won, and which have lost. The _=Object of the Game=_ is for the players to guess whether the various cards on which they place their money will win or lose. They are at liberty to select any card they please, from the ace to the King, and to bet any amount within the established limit of the bank. _=The Layout.=_ All bets are made with counters of various colors and values, which are sold to the players by the dealer, and may be redeemed at any time. These counters are placed on the layout, which is a complete suit of spades, enamelled on green cloth, sufficient space being left between the cards for the players to place their bets. The ace is on the dealer’s left. [Illustration: +----------------+ | 🂦 🂥 🂤 🂣 🂢 🂡 | |🂧 | | 🂨 🂩 🂪 🂫 🂭 🂮 | +----------------+ ] There are a great many ways of placing bets at Faro. For instance: A player may make bets covering twenty-one different combinations of cards, all of which would play the Ten to win, as follows:-- [Illustration: 🂥 🂤 🂣 20 12 13 21 18 3 19 14 15 16 17 🂨10 🂩 2 8🂪9 4 🂫 11🂭 6 5 7 ] If the first bet is supposed to be flat upon the Ten itself, 2, 3 and 4 would take in the card next the Ten; 5 the cards on each side with the Ten; 6 and 7 the three cards behind which the bets are placed, the Ten being one in each instance; 8 and 9 take in the Ten and the card one remove from it in either direction; 10 and 11 are the same thing, but placed on the other card; 12 to 17 inclusive take in the various triangles of which the bet is the middle card; 18 and 19 take in the four cards surrounding them; 20 and 21 are _=heeled=_ bets, the bottom counter being flat on the corner of the card, and the remainder being tilted over toward the card diagonally across from the one on which the bet is placed, playing both cards to win. In addition to these twenty-one bets, others might be made by heeling bets that would take certain cards to lose, and the Ten to win.
I. Follow my gable oary man, Follow my gable oary man, I ll do all that ever I can To follow my gable oary man. We ll borrow a horse and steal a gig, And round the world we ll have a jig, And I ll do all that ever I can To follow my gable oary man. --Earls Heaton, Yorks (Herbert Hardy). II. Holy Gabriel, holy man, Rantum roarum reeden man, I ll do all as ever I can To follow my Gabriel, holy man.[3] --Redhill, Surrey (Miss G. Hope). III. I sell my bat, I sell my ball, I sell my spinning-wheel and all; And I ll do all that ever I can To follow the eyes of the drummer man.
There is no such expression as this in French; the proper term is Misère sur table. See Boston. Mittelhand, G., the second player on the first trick, in Skat. Mixed Pair, a lady and gentleman playing as partners. Mort, F., the dummy hand at Whist or Bridge. Mouth Bets, those made without putting up the money. One who fails to pay mouth bets is a welcher. Muggins, to take a score which has been overlooked by an adversary, especially in Cribbage and Dominoes.
Inst._, ix. 26. Cat-gallows A child s game, consisting of jumping over a stick placed at right angles to two others fixed in the ground.--Halliwell s _Dictionary_. (_b_) In Ross and Stead s _Holderness Glossary_ this is called Cat-gallas, and is described as three sticks placed in the form of a gallows for boys to jump over. So called in consequence of being of sufficient height to hang cats from. Also mentioned in Peacock s _Manley and Corringham Glossary_ and Elworthy s _West Somerset Words_, Brogden s _Provincial Words, Lincs._, Dickinson s _Cumberland Glossary_, Atkinson s _Cleveland Glossary_, Brockett s _North Country Words_, Evans _Leicestershire Glossary_, Baker s _Northants Glossary_, and Darlington s _South Cheshire Glossary_. On one of the stalls in Worcester Cathedral, figured in Wright s _Archæological Essays_, ii.
This continues until some player has lost all five of his counters, and he is then called upon to pay for the whiskey, or whatever refreshments may be at stake upon the game. Hence the name: Whiskey Poker. THIRTY-ONE. This game is sometimes called _=Schnautz=_. A pool is made up by any number of players. The dealer takes a pack of fifty-two cards and gives three to each, face down, and three extra cards to the table, dealt face up. Each player in turn to the left can exchange one of his own cards for one of those on the table, the object being to get a flush of three cards of some suit having a pip value of thirty-one; or else to get three of a kind. The aces are worth 11, the other court cards and the ten, 10 each. If no one can get a flush worth thirty-one, three of a kind wins the pool. If no one has three of a kind, the highest pip value shown in one suit wins.
--Biggar (W. H. Ballantyne). (_b_) Mr. Ballantyne describes the dance as taking place at the end of a country ball. The lads all sat on one side and the girls on the other. It began with a boy taking a handkerchief and dancing before the girls, singing the first verse (fig. 1). Selecting one of the girls, he threw the handkerchief into her lap, or put it round her neck, holding both ends himself. Some spread the handkerchief on the floor at the feet of the girl.
This completed one game. If mistakes were made another player took the stones. Marks were taken for successful play. This boy called the game Dabs. --A. B. Gomme. In South Notts this game was called Snobs. It was played with small stones or marbles. There were nine sets of tricks.
|maids. | | 7.|To come and play with |And walk along with |Come and with us play.| | |us. |us. | | | 8.| -- | -- | -- | | 9.| -- | -- | -- | | 10.| -- | -- | -- | | 11.| -- | -- | -- | | 12.
If his claim is not correct, he retires, and the two remaining players finish alone. If neither wins the game that deal, they play the next deal as in ordinary two-handed Binocle, with a stock, the ultimate winner taking the stakes. If it has been agreed that the lowest score pays when the first player goes out, the game is ended as soon as one retires. If two players reach 1000 points without either having claimed the game, they must both go on to 1250; but if the third player reaches and announces 1000 before either of the others reaches 1250, he wins the game. _=The Revoke.=_ The individual player in error loses his entire score for “cards.” The bidder cannot be set back if either adversary revokes. He may demand that the hand be played out if he thinks he can get a good score. GAIGEL. This is sometimes called _=Short Binocle=_.
A GRAND. +---+-------+-------+-------+-----+ | | A | B | C | B | | | | | |wins.| +---+-------+-------+-------+-----+ | 1 | ♣10 | ♣A | _J♢_ | - | | 2 | 8♠ | _A♢_ | 7♢ | 11 | | 3 | ♡A | 9♠ | _10♠_ | - | | 4 | ♣7 | _10♢_ | 9♢ | 10 | | 5 | ♣8 | _♡J_ | Q♢ | 5 | | 6 | ♣9 | _J♠_ | ♡9 | 2 | | 7 | ♡7 | _K♢_ | ♡Q | 7 | | 8 | ♣Q | _♣J_ | ♡K | 9 | | 9 | ♣K | _A♠_ | 7♠ | 15 | |10 | ♡10 | Q♠ | _K♠_ | - | +---+-------+-------+-------+ + | ♢8 and ♡8 in the Scat. | - | +---------------------------+-----+ | B wins 59 | +---------------------------------+ _=Text Books.=_ Foster’s Skat Manual, 1906. Eichhorn’s American Skat, 1898. Lehrbuch des Skatspiels, by K. Buhle. 1891. Deutsche Skatordnung, by K.
Thus Dr. Clarke, in his _Travels in Russia_, 1810, p. 106, says: In all the villages and towns from Moscow to Woronetz, as in other parts of Russia, are seen boys, girls, and sometimes even old men, playing with the joint-bones of sheep. This game is called Dibbs by the English. It is of very remote antiquity; for I have seen it very beautifully represented on Grecian vases; particularly on a vase in the collection of the late Sir William Hamilton, where a female figure appeared most gracefully delineated kneeling upon one knee, with her right arm extended, the palm downwards, and the bones ranged along the back of her hand and arm. In this manner the Russians play the game. See Dalies, Fivestones. Hummie The game otherwise called Shinty. The shinty or hummie is played by a set of boys in two divisions who attempt to drive with curved sticks a ball, or what is more common, part of the vertebral bone of a sheep, in opposite directions (_Blackwood s Magazine_, August 1821, p. 36).
At the end of the third rubber, the two cut that have not yet been out; and at the end of the fourth rubber, the one who has played every rubber goes out without cutting. After this, it is usual to spread the cards, and to form the table anew. In all the foregoing instances, partners and deal must be cut for, after the cut has decided which are to play. _=MARKING.=_ There are various methods of using the counters. At the beginning of the game they may be placed at the left hand, and transferred to the right as the points accrue. Another method is to stack the four circular counters one upon the other at the beginning of the game, and to count a point by placing one of them beside the others; two points by placing another upon the first; three points by placing a third beyond these two, and four points by placing them all in line. [Illustration: Nothing. One. Two.
Barker). XII. Christian was a soldier, A soldier, a soldier, Christian was a soldier, and a brave one too. Right hand in, right hand out, Shake it in the middle, and turn yourself about. --Sporle, Norfolk (Miss Matthews). XIII. Friskee, friskee, I was and I was A-drinking of small beer. Right arms in, right arms out, Shake yourselves a little, and little, And turn yourselves about. --Cornwall (_Folk-lore Journal_, v. p.
You ought to know that no respectable TK would lay a lift on a retina. I just squeezed off a couple of small arteries. He s back in business already, I d say. Had I mentioned the rustic _decor_ of the Sky Hi Club? When Las Vegas had deteriorated to the point where it would turn most stomachs, the better clubs migrated up among the tall pines, along the shores of Lake Tahoe. And in place of the dated chromium glitter of Vegas, they had reached way back to the Good old days for styling. The Sky Hi Club was typical. The outside was all hand-hewn logs. The inside had a low, rough-beamed ceiling, and a sure-enough genuine wood floor. The planks were random-width, tree nailed to the joists. Even the help was dressed up like a lot of cow-pokes, whatever cow-pokes were.
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