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If he cuts, he must leave at least four cards in each packet, and the dealer or the pone must reunite the packets by placing the one not removed in cutting upon the other. _=9.=_ If in cutting, or in reuniting the packets, a card is exposed, the pack must be reshuffled and cut. _=10.=_ If the dealer reshuffles the pack after it has been properly cut, he forfeits five counters to the current pool. _=11. Dealing Before the Draw.=_ After the age, [the player on the dealer’s left,] has put up the amount of the blind, the dealer distributes the cards face down, one at a time, in rotation, until each player has received five cards. _=12.=_ The deal passes to the left, except in jack pots, when it may be agreed that the same dealer shall deal until the pot is opened.
It is not a book upon Kriegspiel. It gives merely a game that may be played by two or four or six amateurish persons in an afternoon and evening with toy soldiers. But it has a very distinct relation to Kriegspiel; and since the main portion of it was written and published in a magazine, I have had quite a considerable correspondence with military people who have been interested by it, and who have shown a very friendly spirit towards it--in spite of the pacific outbreak in its concluding section. They tell me--what I already a little suspected--that Kriegspiel, as it is played by the British Army, is a very dull and unsatisfactory exercise, lacking in realism, in stir and the unexpected, obsessed by the umpire at every turn, and of very doubtful value in waking up the imagination, which should be its chief function. I am particularly indebted to Colonel Mark Sykes for advice and information in this matter. He has pointed out to me the possibility of developing Little Wars into a vivid and inspiring Kriegspiel, in which the element of the umpire would be reduced to a minimum; and it would be ungrateful to him, and a waste of an interesting opportunity, if I did not add this Appendix, pointing out how a Kriegspiel of real educational value for junior officers may be developed out of the amusing methods of Little War. If Great War is to be played at all, the better it is played the more humanely it will be done. I see no inconsistency in deploring the practice while perfecting the method. But I am a civilian, and Kriegspiel is not my proper business. I am deeply preoccupied with a novel I am writing, and so I think the best thing I can do is just to set down here all the ideas that have cropped up in my mind, in the footsteps, so to speak, of Colonel Sykes, and leave it to the military expert, if he cares to take the matter up, to reduce my scattered suggestions to a system.
Where s the fire? The water s quenched it. Where s the water? The ox has drunk it. Where s the ox? The butcher has killed it. Where s the butcher? The rope has hanged him. Where s the rope? The rat has gnawed it. Where s the rat? The cat has killed it. Where s the cat? Behind the door, cracking pebble-stones and marrow-bones for yours and my supper, and the one who speaks first shall have a box on the ear. --Halliwell s _Nursery Rhymes_, p. 222. The children are seated, and the questions are put by one of the party who holds a twisted handkerchief or something of the sort in the hand.
One child stands in the centre--she represents the Mother. The ring of children say the first, third, and every alternate verse. The child in the centre says the second, fourth, and alternate verses, and the game is played as above, except that when the Mother has said the last verse the children call out, Good job, too, and run off, the Mother chasing them as above. The game does not appear to be sung. (_c_) This game is somewhat of a cumulative story, having for its finish the making angry and tormenting of a mother. All the versions point to this. One interesting point, that of milk-pails, is, it will be seen, gradually losing ground in the rhymes. Milk-pails were pails of wood suspended from a yoke worn on the milkmaid s shoulders, and these have been giving place to present-day milk-cans. Consequently we find in the rhymes only four versions in which milk-pails are used. In two versions even the sense of milking-can has been lost, and the South Shields version, sent me by little Miss Blair, has degenerated into male-scales, a thoroughly meaningless phrase.
Each lays on a pin, then with the hand they strike the side of the hat time about, and whoever makes the pins by a stroke cross each other, lifts those so crossed.--Mactaggart s _Gallovidian Encyclopædia_. Hawkey A game played by several boys on each side with sticks called hawkey bats, and a ball. A line is drawn across the middle of the ground from one side to the other; one party stands on one side of the line and the opposite party on the other, and neither must overstep this boundary, but are allowed to reach over as far as their bats will permit to strike the ball. The object is to strike the ball to the farther end to touch the fence of the opposing party s side, when the party so striking the ball scores one, and, supposing nine to be the game, the party obtaining that number first of course wins the game.--West Sussex (Holloway s _Dict. of Provincialisms_). See Bandy, Doddart, Hockey. Headicks and Pinticks This game was played only at Christmas. The number of players was two.
For instance: A, B, C, and D play. D blinds five counters, and deals. A passes, and B opens for five reds. C passes out, while D and A both meet the bet of five reds, but neither will raise it. This does not call B, who has the privilege of raising the bet if he pleases. Suppose he raises, and D and A both meet it. On this second round, C having passed out, it is D’s turn to say whether or not he will raise. On the next round it will be A’s turn, and after that it will be B’s second turn, and so on. Should any player meet the bet but refuse to raise, although it is his turn, he still cannot call. If he does not avail himself of his privilege of raising, he must _=pass the word=_ to the player on his right; that is, transfer the privilege to him.
. Afield they go, where many lookers be. Then couples three be straight allotted there, They of both ends, the middle two, do fly; The two that in mid-place Hell called were Must strive, with waiting foot and watching eye, To catch of them, and them to hell to bear, That they, as well as they, may hell supply; Like some that seek to salve their blotted name Will others blot, till all do taste of shame. There may you see, soon as the middle two Do, coupled, towards either couple make, They, false and fearful, do their hands undo; Brother his brother, friend doth friend forsake, Heeding himself, cares not how fellow do, But of a stranger mutual help doth take; As perjured cowards in adversity, With sight of fear, from friends to friends do fly. Sir John Suckling also has given a description of this pastime with allegorical personages, which is quoted by Brand. In Holiday s play of the _Marriages of the Arts_, 1618, this sport is introduced, and also by Herrick (_Hesperides_, p. 44). Barley-break is several times alluded to in Massinger s plays: see the _Dramatic Works of Philip Massinger_, 1779, i. 167. We ll run at barley-break first, and you shall be in hell (Dekker s _The Honest Whore_).
The so-called percentage of “splits” at Faro is a mere sham, and any candid dealer will admit that they do not pay for the gas. Roulette, Rouge et Noir, Keno, and Chuck Luck are all percentage games, although the banker in the latter is seldom satisfied with his legitimate gains. The peculiarity about all percentage banking games is that no system, as a system, will beat them. The mathematical expectation of loss is so nicely adjusted to the probabilities of gain that the player must always get just a little the worst of it if he will only play long enough. Take any system of martingales, and suppose for the sake of illustration that in 1000 coups you will win 180 counters. The mathematical expectation of the game is such that just about once in a thousand coups your martingale will carry you to a point in which you will lose 200 counters, leaving you just 20 behind on every 1000 if you keep on playing. Every system has been carefully investigated, and enormous labour has been expended on the compilation of tables recording for a long series of time every number rolled at Roulette, and every coup raked in at Rouge et Noir, and the result of all systems is found to be the same, the bank succeeds in building up its percentage like a coral island, while the player’s money disappears like water in the sand. VINGT-ET-UN. Any number of persons may play Vingt-et-un, and a full pack of fifty-two cards is used. The _=cards=_ have no rank, but a counting value is attached to each, the ace being reckoned as 11 or 1, at the option of the holder, all court cards as 10 each, and the others at their face value.
12._ |QR |QKt|QB | Q | K |KB |KKt|KR | Black. +---+---+---+---+---+---+---+---+ 8 | ♜ | ♞ | ♝ | ♛ | ♚ | ♝ | ♞ | ♜ | +---+---+---+---+---+---+---+---+ 7 | ♟ | ♟ | ♟ | ♟ | | ♟ | ♟ | ♟ | 2 +---+---+---+---+---+---+---+---+ 6 | | | | | | | | | 3 +---+---+---+---+---+---+---+---+ 5 | | | | | ♟ | | | | 4 +---+---+---+---+---+---+---+---+ 4 | | | | | ♙ | | | | 5 +---+---+---+---+---+---+---+---+ 3 | | | | | | ♘ | | | 6 +---+---+---+---+---+---+---+---+ 2 | ♙ | ♙ | ♙ | ♙ | | ♙ | ♙ | ♙ | 7 +---+---+---+---+---+---+---+---+ | ♖ | ♘ | ♗ | ♕ | ♔ | ♗ | | ♖ | 8 +---+---+---+---+---+---+---+---+ White. |QR |QKt|QB | Q | K |KB |KKt|KR | ] In Diagram No. 12, for instance, both the Pawns that have been moved would be spoken of as on K 4. The Knight that has been moved is on K B 3, because it is a white Knight. If it was a black Knight it would be on K B 6, reckoning from the black side of the board for the black pieces. In order to test your understanding of this system of notation, which is very important in following published games or problems, take the board and men, white side next you, and set up the following position, remembering that when no number is given, the piece stands upon the square originally occupied by the piece which gives its name to the file:-- Black men;--King on Q R’s; Queen on Q Kt’s; Pawns on Q R 2, and Q Kt, 3; Rook on Q R 3. White men;--King on Q Kt 5; Queen on Q B 6. Now look at Diagram No 11, and see if you have it right.
But it came in second-best compared to holding the dice. No point calling too much attention to him. I decided four passes were enough while he held the dice. What do you know, as he came out for the fifth time, Sniffles pulled my stack of chips to the Don t Pass side of the line, while scraping at the chapped end of her skinny nose with the back of her free hand. Like every compulsive gambler I ve ever seen, the roller next to me was sure he was on a rampage. Four passes and he thought he had the dice licked. Ride with me! he yelled at Sniffles, who plainly had the management of my chips. No moah, she said. You ll lose. Of course he did.
Only one marriage can be shown but not led in this manner. In the ordinary course of play it is not necessary to show both cards of the marriage unless the adversary asks to see them. The player simply leads the King or Queen, and says: “Twenty,” or “Forty,” as the case may be. If he leads a King or Queen without claiming any count, it is evident that he has not a marriage. If he has simply forgotten to claim it, he cannot amend the error after his adversary has played to the trick, and the score is lost. To avoid disputes, careful players leave one of the marriage cards face up among their cards, as a reminder that a marriage was claimed in that suit, either by the player with the card turned, or by his adversary. _=Counting.=_ A player is not allowed to make any record of his progress toward sixty-six, but must keep his count mentally. It is highly important to keep both your own and your adversary’s count, in order that you may always know how many each of you wants to reach 66. A player is not allowed to go back over his tricks to refresh his memory, and if he looks at any trick but the last one turned and quitted, he loses the privilege of “closing.
Owing to this rule, a player with good plain suit cards will usually attempt to exhaust the trumps as rapidly as possible. The _=counting cards=_ are the same as in Sixty-six, and the winner of the last trick counts 10. As there is no stock, there is no closing; and as marriages are not counted in America, the 66 points must be made on cards alone. The scores for _=schneider=_ and _=schwartz=_ are the same as in Sixty-six, and seven points is game. There are 130 points made in every deal, so if one side gets more than 66 and less than 100, their adversaries must be out of schneider, and the winners count one. More than 100, but less than 130 is schneider, and counts two. If the winners take every trick, making 130 points, they score three. Sometimes an extra point is scored for winning the Ten of trumps: but such a count is quite foreign to the game. NATIONAL GAMES. There are certain games of cards which do not seem to belong to any particular family, but stand apart from other games, and have been played since their first invention with only trifling variations, giving rise to no offshoots bearing other names.
POLISH BÉZIQUE. This differs from the ordinary game only in the value of the tricks taken. The winner of each trick, instead of turning it down after counting the brisques, takes from it any court cards it may contain, and the Ten of trumps. He lays these cards face up on the table, but apart from those declared from his own hand, and uses them to form combinations, which may be scored in the usual way. The chief difference is that cards so taken in tricks cannot be led or played to subsequent tricks, nor can they be taken in hand at the end of the stock. Combinations may be completed either by cards in the player’s hand, or by cards won in subsequent tricks. CINQ-CENTS. This might be described as Bézique with one pack of cards. All the regulations are the same as in the modern form of Bézique, but there is an additional count, 120, for a sequence of the five highest cards in any plain suit. Bézique is called _=Binage=_, and of course there are no double combinations.
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| +---+-.-+---+-.-+---+-.-+---+-.-+ | | . | | . | | . | | ⛂ | +---+-.-+---+-.-+---+-.
e | a | b | c | d a 1 a | b 2 b | c 3 c | d 4 d | e 5 e e | a | b | c | d | | | | Hands:--1 to 4 | 5 to 8 | 9 to 12 | 13 to 16 | 17 to 20 The peculiarity of this system is in the movement of the trays; those at the middle table always going to the extreme West of the line, the others moving up as many tables at a time as may be necessary to follow them. In this instance the trays at table 3 go to 1, all others moving up two tables. At the same time the N & S players all move one table further East, bringing about this position:-- 2nd set. d | e | a | b | c a 1 a | b 2 b | c 3 c | d 4 d | e 5 e d | e | a | b | c | | | | Hands:--9 to 12 | 13 to 16 | 17 to 20 | 1 to 4 | 5 to 8 This movement of the trays and players is continued for two more sets, which completes the round:-- 3rd set. c | d | e | a | b a 1 a | b 2 b | c 3 c | d 4 d | e 5 e c | d | e | a | b | | | | Hands:--17 to 20| 1 to 4 | 5 to 8 | 9 to 12 | 13 to 16 4th set. b | c | d | e | a a 1 a | b 2 b | c 3 c | d 4 d | e 5 e b | c | d | e | a | | | | Hands:--5 to 8 | 9 to 12 | 13 to 16 | 17 to 20 | 1 to 4 If we now take any two of the teams engaged, _=a=_ and _=d=_ for instance, we shall find that the E & W _=a=_ and the N & S _=d=_ pairs of those teams have played hands 9 to 12 at table 1, in the 2nd set; and that N & S _=a=_ and E & W _=d=_ pairs have overplayed the same hands at table 4, in the 3rd set; so that we have really been carrying out a number of matches simultaneously, between five teams of four players each. If there are 5, 7, 9 or 11 tables in play, the movement of the trays must be 2, 3, 4 or 5 tables at a time; but the movement of the players remains the same; one table at a time, in the direction opposite to the trays. _=Gilman’s System.=_ Another method, recommended by Charles F. Gilman, of Boston, which prevents any possibility of players giving hints to their friends as they pass the trays, is to have each team play at its own table first, so as to get an individual score.
You re a healer, all right, I said. And a prophetess, too, from what I saw at the dice table. You know what a Psi personality is? I asked her. Say, what is your name, anyway? Pheola, she said. Yes, I ve heard of them, she said. You re one, I told her. You can heal many people. She shook her head. Only could do it because I love you, Billy Joe, she said. We ll teach you, I promised her.
Don’t think it necessary to be a Sandow. Many lightweights bowl well. Don’t get discouraged, you can learn. Any able-bodied person, with ordinary nerve and a good eye, can become quite expert with little practice. Don’t let an alley owner use pins that are worn out. Don’t think you can sandpaper a ball without injuring it. It takes an expert mechanic to true up a lignum-vitæ ball. Don’t lay a lignum-vitæ ball away DRY, if you don’t want it to crack. GENERAL LAWS, FOR ALL CARD GAMES. Very few games have their own code of laws, and only one or two of these have the stamp of any recognised authority.
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|Catch the bride. | | 7.| -- | | 8.| -- | | 9.|Girl makes a pudding. | |10.|Asks boy to taste. | |11.|Fixing of wedding day.| |12.
It would be a little better, but still very bad play, for him to discard the 8 and 6, leaving himself a sequence of four cards and a fifteen, 6 points altogether. He might do a little better by discarding the 10 and 8, leaving himself a run of four, and two fifteens, 8 points altogether. If he discards either the 10 and 9, or the 10 and 6, he will leave himself a double run of three, a pair, and two fifteens, 12 altogether. Of these two discards, that of the 10 and 6 is better than the 10 and 9, because the 10 and 9 might help to form a sequence in the adversary’s crib, whereas the 10 and 6 are so far apart that they are very unlikely to be of any use. Cards which are likely to form parts of sequences are called _=close cards=_, and those which are too widely separated to do so are called _=wide cards=_. _=METHOD OF PLAYING.=_ The crib laid out and the starter cut, the pone begins by playing any card he pleases. The card he selects he lays face upward on the table on his own side of the cribbage board, and at the same time announces its pip value; two, five, or ten, whatever it may be. It is then the dealer’s turn to play a card from his hand, which is also laid face upward on the table, but on the dealer’s side of the cribbage board. Instead of announcing the pip value of this second card, the dealer calls out the total value of the two cards taken together.
A card of re-entry in plain suits is one which is pretty sure to win a trick, such as an Ace, or a guarded King. The following are examples of hands from which trumps should be led originally by a beginner;-- Hearts are trumps in every case. ♡ J 8 6 4 2; ♣ K 3 2; ♢ 10 9 2; ♠ 7 5. ♡ Q 10 2; ♣ A K 5; ♢ K Q 10 9; ♠ A Q 3. ♡ K J 8 3; ♣ A K Q 10 7 3; ♢ 3; ♠ A 7. The following are examples of hands from which trumps should not be led:-- ♡ A K Q; ♣ J 8 7 5 3; ♢ Q 4; ♠ K 4 2. ♡ Q J 10 2; ♣ 5 2; ♢ A K Q 2; ♠ 6 4 3. ♡ A Q 5 4; ♣ K Q J 6 3; ♢ A 9 2; ♠ K. If at any later stage of the hand, a player finds himself with an established suit and a card of re-entry, he should lead trumps if he has four. For instance: The player with the last example should lead trumps if the first round of Clubs either forced the Ace out of his way, or found it with his partner.
(_b_) In this game two children cross hands, grasping each other s wrists and their own as well: they thus form a seat on which a child can sit and be carried about. At the same time they sing the verse. Carrying the Queen a Letter The King and Queen have a throne formed by placing two chairs a little apart, with a shawl spread from chair to chair. A messenger is sent into the room with a letter to the Queen, who reads it, and joins the King in a courteous entreaty that the bearer of the missive will place himself between them. When he has seated himself on the shawl, up jumps the King and Queen, and down goes the messenger on the floor.--Bottesford and Anderly (Lincolnshire), and Nottinghamshire (Miss M. Peacock). (_b_) This is virtually the same game as Ambassador, described by Grose as played by sailors on some inexperienced fellow or landsman. Between the two chairs is placed a pail of water, into which the victim falls. Cashhornie A game played with clubs by two opposite parties of boys, the aim of each party being to drive a ball into a hole belonging to their antagonists, while the latter strain every nerve to prevent this.
They then stand still, and the centre child holds out the stick and touches one of the ring. This player must take hold of the stick. Then the Muffin Man asks this player any questions he pleases, Is the morn shining? Is ink white? &c. The child who holds the stick answers Yes or No in a disguised voice, and the Muffin Man then guesses who it is. He is allowed three tries. If he guesses right he joins the ring, and the child who was touched takes his place in the centre. In the Yorkshire versions no questions are asked; the blindfolded child goes to any one he can touch, and tries to guess his or her name. The other version, sent by Mr. Hardy, is played in the same way, and sung to the same tune. In the Congleton version (Miss Twemlow), the blindfolded child tries to catch one of those in the ring, when the verse is sung.
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