If there are men on first and second, and five is thrown, the striker is out, and the man on second is caught trying to steal third; while the man on first holds his base. If five is thrown when there are men on first and third, the striker is out, and the man on third is safe, but the man on first is caught trying to steal second. When bases are thrown, they are safe hits, and all the men on bases are advanced as many as the man at the bat throws. As soon as three men on each side have struck or been caught out by throwing five or six, the side is out, and all men left on bases count for nothing. As long as three men are not out, the side continues to send its men to the bat in regular order. GOING TO BOSTON. This game is known in the colonies as Yankee Grab, or Newmarket. Each player has three throws with three dice, and the highest die in each throw is laid aside. If two are equally high, only one is retained. The others are returned to the box and thrown again.
If he guesses right he joins the ring, and the child who was touched takes his place in the centre. In the Yorkshire versions no questions are asked; the blindfolded child goes to any one he can touch, and tries to guess his or her name. The other version, sent by Mr. Hardy, is played in the same way, and sung to the same tune. In the Congleton version (Miss Twemlow), the blindfolded child tries to catch one of those in the ring, when the verse is sung. The lines, with an additional four from _Shropshire Folk-lore_, are given by Miss Burne among nursery rhymes and riddles. See Buff with a Stick, Dinah. Mulberry Bush [Music] --Miss Harrison. Here we go round the mulberry bush, The mulberry bush, the mulberry bush, Here we go round the mulberry bush, On a cold and frosty morning. This is the way we wash our hands, Wash our hands, wash our hands, This is the way we wash our hands, On a cold and frosty morning.
Next to the point, the most important thing is the score for _=cards=_. The point will save pic and repic, but the cards will make the greatest difference in the score in the long run. Sequences are always valuable, especially those that are Ace high in the elder hand, because they enable him to win a succession of tricks in play. The elder hand should risk a good deal if he has a fair chance to make a pic or repic, which will often settle the game. If there is any choice as to what to keep of two nearly equal chances, always preserve the combination that will be most likely to secure the count for cards. In _=Leading=_, it is best to begin with the point, unless you know that you are leading up to tenace, or to high cards that will bring in a long adverse suit. The piquet player soon learns the importance of tenace and fourchette, and can sometimes see how things must be managed for five or six tricks ahead, so as to secure the odd trick. Tenace is the best and third-best of any suit, such as A Q, while a fourchette is any two cards within one of each other, such as K J, or Q 10, and the lead from such combinations should always be avoided. If you have the odd trick in hand, make it at once, before you risk anything else, because the only difference between the odd trick and eleven tricks is the count for each card led in the tricks. _=The Dealer.
This language Lyndsay puts into the mouth of a Popish parson. The game seems to be that of ball played with the hand, as distinguished from Football. --Jamieson. See Ball. Call-the-Guse This game is supposed by Jamieson to be equivalent to Drive the Goose, and the game seems to be the same with one still played by young people in some parts of Angus, in which one of the company, having something that excites ridicule unknowingly pinned behind, is pursued by all the rest, who still cry out, Hunt the Goose! --Jamieson. Camp A game formerly much in use among schoolboys, and occasionally played by men in those parts of Suffolk on the sea coast--more especially in the line of Hollesley Bay between the Rivers Orwell and Alde, sometimes school against school, or parish against parish. It was thus played: Goals were pitched at the distance of 150 or 200 yards from each other; these were generally formed of the thrown-off clothes of the competitors. Each party has two goals, ten or fifteen yards apart. The parties, ten or fifteen on a side, stand in line, facing their own goals and each other, at about ten yards distance, midway between the goals, and nearest that of their adversaries. An indifferent spectator, agreed on by the parties, throws up a ball, of the size of a common cricket-ball, midway between the confronted players, and makes his escape.
_=MARKERS=_ are not used, counters taking their place. These are usually of the colours and values, and are distributed among the players as already described in Boston. _=STAKES.=_ As a guide in settling upon the unit value, it may be noted that the largest amount possible to win or lose on a single hand is 2,400 white counters; the smallest amount being 30. The average is about 300. _=THE POOL.=_ In addition to the counters won or lost on each hand, a pool is formed by each dealer in his turn placing five counters in a small tray provided for the purpose. This pool may be increased by penalties, etc., and the whole amount may be won under certain conditions, as at Boston. There is no limit to the amount of a single pool.
The odd little moons of Mars swung around their planet like frantic mice, yet their regularity was itself an assurance that all was well. Far above the plane of the ecliptic, he could feel half a ton of dust more or less drifting outside the lanes of human travel. Here there was nothing to fight, nothing to challenge the mind, to tear the living soul out of a body with its roots dripping in effluvium as tangible as blood. Nothing ever moved in on the Solar System. He could wear the pin-set forever and be nothing more than a sort of telepathic astronomer, a man who could feel the hot, warm protection of the Sun throbbing and burning against his living mind. * * * * * Woodley came in. Same old ticking world, said Underhill. Nothing to report. No wonder they didn t develop the pin-set until they began to planoform. Down here with the hot Sun around us, it feels so good and so quiet.
[Illustration: ⚅⚅ +-+-+-+-+-+-++-+-+-+-+-+-+ | | | | | |⛀||⛂|⛀| | | |⛂| | | | | | |⛀||⛂|⛀| | | |⛂| | | | | | |⛀|| |⛀| | | |⛂| | | | | | |⛀|| | | | | | | | | | | | |⛀|| | | | | | | |x || x| | || | | | | | | |⛂|| | | | | |⛀| | | | | | |⛂|| | | | | |⛀| | | | | | |⛂|| |⛂| | | |⛀| |⛀| | | | |⛂||⛂|⛂| | | |⛀| |⛀| | | | |⛂||⛂|⛂| | | |⛀| +-+-+-+-+-+-++-+-+-+-+-+-+ ⚅⚄ +-+-+-+-+-+-++-+-+-+-+-+-+ |⛂| | | | |⛀|| |⛀| | | |⛂| | | | | | |⛀|| |⛀| | | |⛂| | | | | | |⛀|| |⛀| | | |⛂| | | | | | |⛀|| | | | | |⛂| | | | | | |⛀|| | | | | |⛂| |x || ⛂| | || | | | | | | |⛂|| | | | | |⛀| | | | | | |⛂|| | | | | |⛀| | | | | | |⛂|| |⛂| | | |⛀| |⛀| | | | |⛂|| |⛂| | | |⛀| |⛀| | | | |⛂|| |⛂| | | |⛀| +-+-+-+-+-+-++-+-+-+-+-+-+ ⚅⚃ +-+-+-+-+-+-++-+-+-+-+-+-+ |⛂| | | | |⛀|| |⛀| | |⛂|⛂| | | | | | |⛀|| |⛀| | | |⛂| | | | | | |⛀|| |⛀| | | |⛂| | | | | | |⛀|| | | | | |⛂| | | | | | |⛀|| | | | | |⛂| |x || | | || | | | | | | |⛂|| | | | | |⛀| | | | | | |⛂|| | | | | |⛀| | | | | | |⛂|| |⛂| | | |⛀| |⛀| | | | |⛂|| |⛂| | | |⛀| |⛀| | | | |⛂|| |⛂| | | |⛀| +-+-+-+-+-+-++-+-+-+-+-+-+ ⚅⚂ +-+-+-+-+-+-++-+-+-+-+-+-+ |⛂| | | | |⛀|| |⛀| |⛂| |⛂| | | | | | |⛀|| |⛀| | | |⛂| | | | | | |⛀|| |⛀| | | |⛂| | | | | | |⛀|| | | | | |⛂| | | | | | |⛀|| | | | | |⛂| |x || | | || | | | | | | |⛂|| | | | | |⛀| | | | | | |⛂|| | | | | |⛀| | | | | | |⛂|| |⛂| | | |⛀| |⛀| | | | |⛂|| |⛂| | | |⛀| |⛀| | | | |⛂|| |⛂| | | |⛀| +-+-+-+-+-+-++-+-+-+-+-+-+ ⚅⚁ +-+-+-+-+-+-++-+-+-+-+-+-+ |⛂| | | | |⛀|| |⛀| | | |⛂| |⛂| | | | |⛀|| |⛀| | | |⛂| | | | | | |⛀|| |⛀| | | |⛂| | | | | | |⛀|| | | | | |⛂| | | | | | |⛀|| | | | | |⛂| | || x| | || | | | | | | |⛂|| | | | | |⛀| | | | | | |⛂|| | | | | |⛀| | | | | | |⛂|| |⛂| | | |⛀| |⛀| | | | |⛂|| |⛂| | | |⛀| |⛀| | | |⛂|⛂|| |⛂| | | |⛀| +-+-+-+-+-+-++-+-+-+-+-+-+ ⚅⚀ +-+-+-+-+-+-++-+-+-+-+-+-+ |⛂| | | | |⛀|| |⛀| | | |⛂| |⛂| | | | |⛀|| |⛀| | | |⛂| | | | | | |⛀|| |⛀| | | |⛂| | | | | | |⛀|| | | | | |⛂| | | | | | |⛀|| | | | | | | | || x| | || x | | | | | | |⛂|| | | | | |⛀| | | | | | |⛂|| | | | | |⛀| | | | | | |⛂|| | | | | |⛀| |⛀| | | | |⛂||⛂|⛂| | | |⛀| |⛀| | | | |⛂||⛂|⛂| | | |⛀| +-+-+-+-+-+-++-+-+-+-+-+-+ ] [Illustration: ⚄⚄ +-+-+-+-+-+-++-+-+-+-+-+-+ |⛂| | | | |⛀|| |⛀| | | |⛂| |⛂| | | | |⛀|| |⛀| | | |⛂| | | | | | |⛀|| |⛀| | | |⛂| | | | | | |⛀|| | | | | | | | | | | | |⛀|| | | | | | | | || x| | || | | | | | | |⛂|| | | | | |⛀| | | | | | |⛂|| | | | | |⛀| | | | | | |⛂|| |⛂| | | |⛀| |⛀| |⛂| | |⛂|| |⛂| | | |⛀| |⛀| |⛂| | |⛂|| |⛂| | | |⛀| +-+-+-+-+-+-++-+-+-+-+-+-+ ⚄⚃ +-+-+-+-+-+-++-+-+-+-+-+-+ |⛂| | | | |⛀|| |⛀| |⛂| |⛂| | | | | | |⛀|| |⛀| | | |⛂| | | | | | |⛀|| |⛀| | | |⛂| | | | | | |⛀|| | | | | |⛂| | | | | | |⛀|| | | | | |⛂| |x || | | || | | | | | | |⛂|| | | | | |⛀| | | | | | |⛂|| | | | | |⛀| | | | | | |⛂|| |⛂| | | |⛀| |⛀| | | | |⛂|| |⛂| | | |⛀| |⛀| | | | |⛂|| |⛂| | | |⛀| +-+-+-+-+-+-++-+-+-+-+-+-+ ⚄⚂ +-+-+-+-+-+-++-+-+-+-+-+-+ |⛂| | | | |⛀|| |⛀| | | |⛂| |⛂| | | | |⛀|| |⛀| | | |⛂| | | | | | |⛀|| |⛀| | | |⛂| | | | | | |⛀|| | | | | |⛂| | | | | | |⛀|| | | | | |⛂| | || | | x|| x | | | | | | | || | | | | |⛀| | | | | | |⛂|| | | | | |⛀| | | | | | |⛂|| | | | | |⛀| |⛀| |⛂| | |⛂|| |⛂| | | |⛀| |⛀| |⛂| | |⛂|| |⛂| | | |⛀| +-+-+-+-+-+-++-+-+-+-+-+-+ ⚄⚁ +-+-+-+-+-+-++-+-+-+-+-+-+ |⛂| | | | |⛀|| |⛀| | | |⛂| |⛂| | | | |⛀|| |⛀| | | |⛂| | | | | | |⛀|| |⛀| | | |⛂| | | | | | |⛀|| | | | | | | | | | | | |⛀|| | | | | | | | || x| | || | | | | | | |⛂|| | | | | |⛀| | | | | | |⛂|| |⛂| | | |⛀| | | | | | |⛂|| |⛂| | | |⛀| |⛀| | | | |⛂|| |⛂| | | |⛀| |⛀| | | | |⛂|| |⛂| | |⛂|⛀| +-+-+-+-+-+-++-+-+-+-+-+-+ ⚄⚀ +-+-+-+-+-+-++-+-+-+-+-+-+ |⛂| | | | |⛀|| |⛀| | | |⛂| |⛂| | | | |⛀|| |⛀| | | |⛂| | | | | | |⛀|| |⛀| | | |⛂| | | | | | |⛀|| | | | | |⛂| | | | | | |⛀|| | | | | | | | || x| | x|| | | | | | | | || | | | | |⛀| | | | | | |⛂|| |⛂| | | |⛀| | | | | | |⛂|| |⛂| | | |⛀| |⛀| | | | |⛂|| |⛂| | | |⛀| |⛀| | | |⛂|⛂|| |⛂| | | |⛀| +-+-+-+-+-+-++-+-+-+-+-+-+ ⚄⚀ +-+-+-+-+-+-++-+-+-+-+-+-+ |⛂|⛂| | | |⛀|| |⛀| | | |⛂| | | | | | |⛀|| |⛀| | | |⛂| | | | | | |⛀|| |⛀| | | |⛂| | | | | | |⛀|| | | | | |⛂| | | | | | |⛀|| | | | | | | |x || x| | || | | | | | | |⛂|| | | | | |⛀| | | | | | |⛂|| |⛂| | | |⛀| | | | | | |⛂|| |⛂| | | |⛀| |⛀| | | | |⛂|| |⛂| | | |⛀| |⛀| | | | |⛂|| |⛂| | | |⛀| +-+-+-+-+-+-++-+-+-+-+-+-+ ⚃⚃ +-+-+-+-+-+-++-+-+-+-+-+-+ |⛂| | | | |⛀|| |⛀| | | |⛂| |⛂| | | | |⛀|| |⛀| | | |⛂| | | | | | |⛀|| |⛀| | | |⛂| | | | | | |⛀|| | | | | | | | | | | | |⛀|| | | | | | | | || x| | || | | | | | | |⛂|| | | | | |⛀| | | | | | |⛂|| | | | | |⛀| | | | | | |⛂|| |⛂| | | |⛀| |⛀| | | |⛂|⛂|| |⛂| | | |⛀| |⛀| | | |⛂|⛂|| |⛂| | | |⛀| +-+-+-+-+-+-++-+-+-+-+-+-+ ⚃⚃ +-+-+-+-+-+-++-+-+-+-+-+-+ | | | | |⛂|⛀|| |⛀| | | |⛂| | | | | |⛂|⛀|| |⛀| | | |⛂| | | | | | |⛀|| |⛀| | | |⛂| | | | | | |⛀|| | | | | | | | | | | | |⛀|| | | | | | | |x || x| | || | | | | | | |⛂|| | | | | |⛀| | | | | | |⛂|| | | | | |⛀| | | | | | |⛂|| |⛂| | | |⛀| |⛀| | | | |⛂|| |⛂|⛂| | |⛀| |⛀| | | | |⛂|| |⛂|⛂| | |⛀| +-+-+-+-+-+-++-+-+-+-+-+-+ ⚃⚂ +-+-+-+-+-+-++-+-+-+-+-+-+ |⛂| | | | |⛀|| |⛀| | | |⛂| |⛂| | | | |⛀|| |⛀| | | |⛂| | | | | | |⛀|| |⛀| | | |⛂| | | | | | |⛀|| | | | | | | | | | | | |⛀|| | | | | | | | || x| | || | | | | | | |⛂|| | | | | |⛀| | | | | | |⛂|| | | | | |⛀| | | | | | |⛂|| |⛂| | | |⛀| |⛀| | | | |⛂|| |⛂| | | |⛀| |⛀| | | | |⛂|| |⛂|⛂|⛂| |⛀| +-+-+-+-+-+-++-+-+-+-+-+-+ ⚃⚁ +-+-+-+-+-+-++-+-+-+-+-+-+ |⛂| | | | |⛀|| |⛀| | | |⛂| |⛂| | | | |⛀|| |⛀| | | |⛂| | | | | | |⛀|| |⛀| | | |⛂| | | | | | |⛀|| | | | | |⛂| | | | | | |⛀|| | | | | |⛂| | || | | x|| x | | | | | | | || | | | | |⛀| | | | | | |⛂|| | | | | |⛀| | | | | | |⛂|| | | | | |⛀| |⛀| | |⛂| |⛂|| |⛂| | | |⛀| |⛀| | |⛂| |⛂|| |⛂| | | |⛀| +-+-+-+-+-+-++-+-+-+-+-+-+ ⚃⚀ +-+-+-+-+-+-++-+-+-+-+-+-+ |⛂| | | | |⛀|| |⛀| | | |⛂| |⛂| | | | |⛀|| |⛀| | | |⛂| | | | | | |⛀|| |⛀| | | |⛂| | | | | | |⛀|| | | | | |⛂| | | | | | |⛀|| | | | | | | | || x| | x|| | | | | | | | || | | | | |⛀| | | | | | |⛂|| | | | | |⛀| | | | | | |⛂|| |⛂| | | |⛀| |⛀| | | | |⛂|| |⛂| | | |⛀| |⛀| | | |⛂|⛂|| |⛂|⛂| | |⛀| +-+-+-+-+-+-++-+-+-+-+-+-+ ⚃⚀ +-+-+-+-+-+-++-+-+-+-+-+-+ |⛂|⛂| | | |⛀|| |⛀| | | |⛂| | | | | | |⛀|| |⛀| | | |⛂| | | | | | |⛀|| |⛀| | | |⛂| | | | | | |⛀|| | | | | |⛂| | | | | | |⛀|| | | | | | | |x || x| | || | | | | | | |⛂|| | | | | |⛀| | | | | | |⛂|| | | | | |⛀| | | | | | |⛂|| |⛂| | | |⛀| |⛀| | | | |⛂|| |⛂| | | |⛀| |⛀| | | | |⛂|| |⛂|⛂| | |⛀| +-+-+-+-+-+-++-+-+-+-+-+-+ ] [Illustration: ⚂⚂ +-+-+-+-+-+-++-+-+-+-+-+-+ |⛂| | | | |⛀|| |⛀| | | |⛂| |⛂| | | | |⛀|| |⛀| | | |⛂| | | | | | |⛀|| |⛀| | | |⛂| | | | | | |⛀|| | | | | |⛂| | | | | | |⛀|| | | | | |⛂| | || | | x|| x | | | | | | | || | | | | |⛀| | | | | | | || | | | | |⛀| | | | | | |⛂|| | | | | |⛀| |⛀| |⛂| |⛂|⛂|| | | | | |⛀| |⛀| |⛂| |⛂|⛂|| |⛂| | | |⛀| +-+-+-+-+-+-++-+-+-+-+-+-+ ⚂⚂ +-+-+-+-+-+-++-+-+-+-+-+-+ | | | |⛂| |⛀|| |⛀| | | |⛂| | | | |⛂| |⛀|| |⛀| | | |⛂| | | | | | |⛀|| |⛀| | | |⛂| | | | | | |⛀|| | | | | |⛂| | | | | | |⛀|| | | | | |⛂| |x || | | || x | | | | | | |⛂|| | | | | |⛀| | | | | | |⛂|| | | | | |⛀| | | | | | |⛂|| | | | | |⛀| |⛀| | | |⛂|⛂|| | | | | |⛀| |⛀| | | |⛂|⛂|| |⛂| | | |⛀| +-+-+-+-+-+-++-+-+-+-+-+-+ ⚂⚂ +-+-+-+-+-+-++-+-+-+-+-+-+ |⛂| | | | |⛀|| |⛀| | | |⛂| |⛂| | | | |⛀|| |⛀| | | |⛂| | | | | | |⛀|| |⛀| | | |⛂| | | | | | |⛀|| | | | | | | | | | | | |⛀|| | | | | | | | || x| | || | | | | | | |⛂|| | | | | |⛀| | | | | | |⛂|| | | | | |⛀| | | | | | |⛂|| |⛂| | | |⛀| |⛀| | | | |⛂||⛂|⛂| | | |⛀| |⛀| | | | |⛂||⛂|⛂| | | |⛀| +-+-+-+-+-+-++-+-+-+-+-+-+ ⚂⚁ +-+-+-+-+-+-++-+-+-+-+-+-+ |⛂| | | | |⛀|| |⛀| | | |⛂| |⛂| | | | |⛀|| |⛀| | | |⛂| | | | | | |⛀|| |⛀| | | |⛂| | | | | | |⛀|| | | | | | | | | | | | |⛀|| | | | | | | | || x| | || | | | | | | |⛂|| | | | | |⛀| | | | | | |⛂|| | | | | |⛀| | | | | | |⛂|| |⛂| | | |⛀| |⛀| | | | |⛂|| |⛂| | | |⛀| |⛀| | | | |⛂|| |⛂| |⛂|⛂|⛀| +-+-+-+-+-+-++-+-+-+-+-+-+ ⚂⚁ +-+-+-+-+-+-++-+-+-+-+-+-+ |⛂| |⛂| | |⛀|| |⛀| | | |⛂| | | | | | |⛀|| |⛀| | | |⛂| | | | | | |⛀|| |⛀| | | |⛂| | | | | | |⛀|| | | | | |⛂| | | | | | |⛀|| | | | | | | |x || x| | || | | | | | | |⛂|| | | | | |⛀| | | | | | |⛂|| | | | | |⛀| | | | | | |⛂|| |⛂| | | |⛀| |⛀| | | | |⛂|| |⛂| | | |⛀| |⛀| | | | |⛂|| |⛂| |⛂| |⛀| +-+-+-+-+-+-++-+-+-+-+-+-+ ⚂⚀ +-+-+-+-+-+-++-+-+-+-+-+-+ |⛂| | | | |⛀|| |⛀| | | |⛂| |⛂| | | | |⛀|| |⛀| | | |⛂| | | | | | |⛀|| |⛀| | | |⛂| | | | | | |⛀|| | | | | |⛂| | | | | | |⛀|| | | | | |⛂| | || | | x|| x | | | | | | | || | | | | |⛀| | | | | | |⛂|| | | | | |⛀| | | | | | |⛂|| | | | | |⛀| |⛀| | | |⛂|⛂|| |⛂| | | |⛀| |⛀| | | |⛂|⛂|| |⛂| | | |⛀| +-+-+-+-+-+-++-+-+-+-+-+-+ ⚁⚁ +-+-+-+-+-+-++-+-+-+-+-+-+ |⛂| | | | |⛀|| |⛀| | | |⛂| |⛂| | | | |⛀|| |⛀| | | |⛂| | | | | | |⛀|| |⛀| | | |⛂| | | | | | |⛀|| | | | | | | | | | | | |⛀|| | | | | | | | || x| | x|| | | | | | | | || | | | | |⛀| | | | | | | || | | | | |⛀| | | | | | |⛂|| |⛂| | | |⛀| |⛀| | |⛂| |⛂|| |⛂| | |⛂|⛀| |⛀| | |⛂| |⛂|| |⛂| | |⛂|⛀| +-+-+-+-+-+-++-+-+-+-+-+-+ ⚁⚁ +-+-+-+-+-+-++-+-+-+-+-+-+ | | |⛂| | |⛀|| |⛀| | | |⛂| | | |⛂| | |⛀|| |⛀| | | |⛂| | | | | | |⛀|| |⛀| | | |⛂| | | | | | |⛀|| | | | | |⛂| | | | | | |⛀|| | | | | |⛂| |x || | | x|| | | | | | | | || | | | | |⛀| | | | | | | || | | | | |⛀| | | | | | |⛂|| |⛂| | | |⛀| |⛀| | |⛂| |⛂|| |⛂| | | |⛀| |⛀| | |⛂| |⛂|| |⛂| | | |⛀| +-+-+-+-+-+-++-+-+-+-+-+-+ ⚁⚀ +-+-+-+-+-+-++-+-+-+-+-+-+ |⛂| | | | |⛀|| |⛀| | | |⛂| |⛂| | | | |⛀|| |⛀| | | |⛂| | | | | | |⛀|| |⛀| | | |⛂| | | | | | |⛀|| | | | | |⛂| | | | | | |⛀|| | | | | | | | || x| | x|| | | | | | | | || | | | | |⛀| | | | | | |⛂|| | | | | |⛀| | | | | | |⛂|| |⛂| | | |⛀| |⛀| | | | |⛂|| |⛂| | | |⛀| |⛀| | | |⛂|⛂|| |⛂| | |⛂|⛀| +-+-+-+-+-+-++-+-+-+-+-+-+ ⚁⚀ +-+-+-+-+-+-++-+-+-+-+-+-+ |⛂|⛂| | | |⛀|| |⛀| | | |⛂| | | | | | |⛀|| |⛀| | | |⛂| | | | | | |⛀|| |⛀| | | |⛂| | | | | | |⛀|| | | | | |⛂| | | | | | |⛀|| | | | | | | |x || x| | || | | | | | | |⛂|| | | | | |⛀| | | | | | |⛂|| | | | | |⛀| | | | | | |⛂|| |⛂| | | |⛀| |⛀| | | | |⛂|| |⛂| | | |⛀| |⛀| | | | |⛂|| |⛂| | |⛂|⛀| +-+-+-+-+-+-++-+-+-+-+-+-+ ⚁⚀ +-+-+-+-+-+-++-+-+-+-+-+-+ |⛂| | | | |⛀|| |⛀| | | |⛂| |⛂| | | | |⛀|| |⛀| | | |⛂| | | | | | |⛀|| |⛀| | | |⛂| | | | | | |⛀|| | | | | |⛂| | | | | | |⛀|| | | | | | | | || x| | || | | | | | | |⛂|| | | | | |⛀| | | | | | |⛂|| | | | | |⛀| | | | | | |⛂|| |⛂| | | |⛀| |⛀| | | | |⛂|| |⛂| | | |⛀| |⛀| | | | |⛂|| |⛂| |⛂| |⛀| +-+-+-+-+-+-++-+-+-+-+-+-+ ⚀⚀ +-+-+-+-+-+-++-+-+-+-+-+-+ |⛂| | | | |⛀|| |⛀| | | |⛂| |⛂| | | | |⛀|| |⛀| | | |⛂| | | | | | |⛀|| |⛀| | | |⛂| | | | | | |⛀|| | | | | |⛂| | | | | | |⛀|| | | | | |⛂| | || | | x|| x | | | | | | | || | | | | |⛀| | | | | | | || | | | | |⛀| | | | | | |⛂|| | | | | |⛀| |⛀| | | |⛂|⛂||⛂| | | | |⛀| |⛀| | | |⛂|⛂||⛂|⛂| | | |⛀| +-+-+-+-+-+-++-+-+-+-+-+-+ ] Double aces are the best, because they make up two of the most important points at once. A first-class player will sometimes give an adversary the odds of a first throw of double aces. Double sixes is the next best, and five-ace is considered one of the worst. Three of these throws require special mention, all of which would be very bad openings in the American game, for reasons which will presently be explained. These throws are five-ace, four-ace, and deuce-ace, when played as follows:-- [Illustration: ⚄⚀ +-+-+-+-+-+-++-+-+-+-+-+-+ |⛂| | | | |⛀|| |⛀| | | |⛂| |⛂| | | | |⛀|| |⛀| | | |⛂| | | | | | |⛀|| |⛀| | | |⛂| | | | | | |⛀|| | | | | |⛂| | | | | | |⛀|| | | | | | | | || x| | x|| | | | | | | | || | | | | |⛀| | | | | | |⛂|| |⛂| | | |⛀| | | | | | |⛂|| |⛂| | | |⛀| |⛀| | | | |⛂|| |⛂| | | |⛀| |⛀| | | |⛂|⛂|| |⛂| | | |⛀| +-+-+-+-+-+-++-+-+-+-+-+-+ ⚃⚀ +-+-+-+-+-+-++-+-+-+-+-+-+ |⛂| | | | |⛀|| |⛀| | | |⛂| |⛂| | | | |⛀|| |⛀| | | |⛂| | | | | | |⛀|| |⛀| | | |⛂| | | | | | |⛀|| | | | | |⛂| | | | | | |⛀|| | | | | | | | || x| | x|| | | | | | | | || | | | | |⛀| | | | | | |⛂|| | | | | |⛀| | | | | | |⛂|| |⛂| | | |⛀| |⛀| | | | |⛂|| |⛂| | | |⛀| |⛀| | | |⛂|⛂|| |⛂|⛂| | |⛀| +-+-+-+-+-+-++-+-+-+-+-+-+ ⚁⚀ +-+-+-+-+-+-++-+-+-+-+-+-+ |⛂| | | | |⛀|| |⛀| | | |⛂| |⛂| | | | |⛀|| |⛀| | | |⛂| | | | | | |⛀|| |⛀| | | |⛂| | | | | | |⛀|| | | | | |⛂| | | | | | |⛀|| | | | | | | | || x| | x|| | | | | | | | || | | | | |⛀| | | | | | |⛂|| | | | | |⛀| | | | | | |⛂|| |⛂| | | |⛀| |⛀| | | | |⛂|| |⛂| | | |⛀| |⛀| | | |⛂|⛂|| |⛂| | |⛂|⛀| +-+-+-+-+-+-++-+-+-+-+-+-+ ] These are all unfortunate opening throws, five-ace being especially bad, and the English players think the best, perhaps because the boldest, way to play them is to leave one or two blots, one of which, however, lays the foundation for possession of your five-point on the next throw, always a great advantage if you can secure it. If neither of the blots are hit, the Englishman pushes forward in the hope of gammoning his adversary, and so winning a double game. In America, where gammons count no more than hits, nothing is to be gained by taking such chances, and the foregoing methods of playing these three throws would therefore be considered very bad. _=The English Game.=_ When the players count double and triple games, it is not an uncommon thing to play for the gammon, especially against inferior adversaries, or when one gets a decided advantage at the start. The first thing is to secure your own or your adversary’s five point, or both, and if you succeed in that you should play a very forward game, and endeavour to gammon your opponent.
[Illustration: No. 10. +-.-+---+-.-+---+-.-+---+-.-+---+ | . | | . | ⛀ | . | | .
When each player has had nine innings the game is ended, and the highest score wins. The more complicated form of the game is to have a rough diagram of a base-ball diamond. The players take sides, and each is provided with three markers of different colours, such as red and white poker chips. Only one die is used, and it is thrown from a box. The captains of the teams throw for the first time at the bat, the higher throw winning the choice. Each player in turn of the side at the bat has one throw, and a marker is placed on the base he reaches. Ace, deuce, and trey count for first, second, and third bases respectively; four is a home run. When a five or six is thrown, the result depends on the number of men on bases, but the striker is always out. If there are no men on bases, or if all the bases are full, the player is out if he throws five or six. If there is only one man on the bases and a five is thrown, the striker is _=caught out=_, and the man on the base is also caught.
She still had it. She moved the chips back and forth from Pass to Don t Pass and won at every roll. I could see Fowler Smythe begin to scowl as she let her winnings ride, building up a real stack. * * * * * Without warning she dragged down her winnings and leaned close to me, sniffling. You ll get all wet! I looked around, seeing a waiter near me. He had just served drinks to the rear, half of the table, to the gamblers nearest the dealers. His tray was still half-full. This was the moment. It was a generalized sort of lift, the kind of thing that qualifies a TK for the Thirty-third degree. I heaved at the thousand-dollar bills I had had marked in the morning, without the faintest idea of where they were.
--Frodingham and Nottinghamshire (Miss M. Peacock). IX. Stepping up the green grass, Thus, and thus, and thus; Will you let one of your fair maids Come and play with us? We will give you pots and pans, We will give you brass, We will give you anything For a pretty lass. No! We won t take your pots and pans, We won t take your brass, We won t take your anything For a pretty lass. Stepping up the green grass, Thus, and thus, and thus; Will you let one of your fair maids Come and play with us? We will give you gold and silver, We will give you pearl, We will give you anything For a pretty girl. Yes! Come, my dearest [Mary], Come and play with us, You shall have a young man Born for your sake. And the bells shall ring And the cats shall sing, And we ll all clap hands together. --Addy s _Sheffield Glossary_. X.
In all the versions which have been sent there are only the following variations in the words, and these are principally in the refrain, or last line of each verse: On a cold and frosty morning ends by far the greater number of versions; On a fine summer s morning, So early in the morning, All on a summer s morning, Five o clock in the morning, On a cold and sunny morning, coming next in number. The Belfast version ends, May! May! May! and a Newbury and Marlborough fourth line is simply a repetition of the second, Nuts in May, nuts in May. In the first line of the verse the only important variant seems to be the Symondsbury Gathering nuts away and Gathering nuts to-day. Gathering nuts away also occurs in one version from Newbury (Berks), Nuts and May appearing in the larger number after the more usual Nuts in May. In only one version is a specific place mentioned for the gathering. This is in the Bocking version, where Galloway Hill is named, in reply to the unusual question, Where do you gather your nuts in May? A player is usually gathered for Nuts in May. In three or four cases only is this altered to gathering a player s nuts away, which is obviously an alteration to try and make the action coincide exactly with the words. The game is always played in lines, and the principal incidents running throughout all the versions are the same, _i.e._, one player is selected by one line of players from their opponents party.
=_ The standard American billiard table for championship games is ten feet by five; but that in common use is nine by four and a half. The old tables for the four-ball game had only four pockets, but all modern pool tables have six. The English billiard tables are all twelve feet by six, with six pockets, which are used for both billiards and pool. The head of the table is the end from which the players make their opening shots, and the foot is that on which the red ball is spotted. The baulk is the space at the head of the table behind a line drawn from the second diamonds or “sights” through the white spot. The “D” is the semicircle on the baulk line on English tables. American tables are made more difficult for championship games by drawing baulk lines 8 or 14 inches from the cushions, barring the rail nurse and the anchor shot. The English game is made difficult by making the cushions higher, the pockets narrower, and barring the spot stroke. The push shot is allowed in the English game, but in America it is permitted only in pool; never in the carrom game. The American carrom game cannot be played on an English table on account of the pockets.
But if Dummy leads the 9, cover with the 10; if it loses, you lie tenace over the declarer. With A J x, play the Jack on a 9 led. This prevents the finesse of the 9, and retains command of the suit. If Dummy has both K and Q, play your Ace. It is useless to play the Bath coup, for the declarer knows your cards, and your partner only is deceived. With K x x, if Dummy has not the Ace, do not play the King, no matter what is led. With Q x x, unless Dummy has both A and K, do not play the Queen. If your partner has the Jack guarded, one of you must make a trick. If Dummy has A J, and leads J, put on the Queen; it may make the 9 or 10 good in your partner’s hand. With A x x, Dummy leading Jack, play the Ace.
When this is done, the children all dance round and sing the other lines. (_d_) The analysis of the game-rhymes is on pp. 178-181. The most constant formulæ of this game-rhyme are shown by this analysis to be Nos. 1, 6, 7, 13, 15, 18, 23, and the variants, though important, are not sufficient to detract from the significance of the normal version. It is evidently a funeral game. The green gravel and the green grass indicate the locality of the scene; green, as applied to gravel, may mean freshly disturbed, just as green grave means a freshly made grave. The tenant of the new grave is the well-loved lady of a disconsolate lover, and probably the incidents of washing and dressing the corpse, and putting an inscription on the place where it is laid, are indicated by Nos. 13 and 15. The dirge, or singing to the dead, is indicated by Nos.
--Berrington (Burne s _Shropshire Folk-lore_, pp. 519, 520). Another version is that the child in the centre, whilst the others danced around him in a circle, saying, Pig in the middle and can t get out, replies, I ve lost my key but I will get out, and throws the whole weight of his body suddenly on the clasped hands of a couple, to try and unlock them. When he had succeeded he changed the words to, I ve broken your locks, and I have got out. One of the pair whose hands he had opened took his place, and he joined the ring.--Cornwall (_Folk-lore Journal_, v. 50). (_b_) Mr. S. O.
The author believes in adhering to the proper definition of a law, which is a rule carrying with it some penalty for its infraction, or defining the rights of individual players. Such a statement as that the Dummy player may not overlook his adversary’s hand is not a law, because there is no penalty if he does so. The author is not responsible for the peculiar grammar employed in both the American and English Laws. THE GAME. 1. A game consists of seven points, each trick above six counting one. The value of the game is determined by deducting the losers’ score from seven. In _=Boston=_, the game is finished in twelve deals. In _=Cayenne=_, a game consists of ten points, each trick above six counting towards game according to the table of values. Honours and Slams also count towards game.
, suiting their actions to the words of the verses sung. The boy who was chosen then presents a ring, usually a blade of grass wrapped round her finger, to the girl. The ring then sing the ninth, tenth, eleventh, and twelfth verses. When all have chosen, if any lad is left without a partner, the last verse is sung. The version recorded by Chambers is similar in action, but there are some important differences in detail. The centre child acts as mistress of the ceremonies. The ring of children dance round her, singing the verses. At the end of the first line of the second verse they all courtesy to her, and she returns the compliment. At the conclusion of this verse she selects a girl from the ring and asks her her sweetheart s name, which is imparted in a whisper. Upon this the child in the centre sings the third verse, the ring dancing round as before.
| London. | Hants, Liphook. | Halliwell. | +----+----------------------+----------------------+----------------------+ | 1.| -- | -- | -- | | 2.|Here we come up the |Here we go up the |Trip, trap, over the | | |green grass. |green grass. |grass. | | 3.| -- | -- | -- | | 4.
Another rhyme for this amusement is-- A basket, a basket, a bonny penny basket, A penny to you, and a penny to me, Turn about the basket. --Chambers s _Popular Rhymes_; p. 123. See Basket. Jib-Job-Jeremiah An undescribed Suffolk game.--Moor s _Suffolk Words_, p. 238. Jiddy-cum-jiddy A northern name for See Saw. Jingle-the-bonnet A game in which two or more put a halfpenny each, or any piece of coin, into a cap or bonnet. After jingling or shaking them together, they are thrown on the ground; and he who has most heads when it is his turn to jingle, gains the stakes which were put into the bonnet.
Turning the trump from the still pack was first tried by a Welsh baronet, and is mentioned by Southey in his “Letters of Espriella.” This custom was revived for a time by the Milwaukee Whist Club, and is still sometimes seen in Europe under the name of “Prussian Whist.” Altogether we can trace nineteen games which are clearly derived from whist. Duplicate, Drive, and Progressive whist are simply changes in the arrangement of the players and in the methods of scoring. Prussian whist introduces the cutting of the trump from the still pack. Dummy and Double-dummy are simply whist with a limited number of players, necessitating the exposure of one or more hands upon the table. The French game of Mort is dummy with a better system of scoring introduced. Favourite Whist simply changes the value of the tricks in scoring, according to the trump suit. Cayenne and Bridge introduce the first changes of importance. In Cayenne, the dealer and his partner have the privilege of changing the trump from the suit turned up; in Bridge they name the trump suit without any turn-up, and play the hands as at dummy.
Here is War, done down to rational proportions, and yet out of the way of mankind, even as our fathers turned human sacrifices into the eating of little images and symbolic mouthfuls. For my own part, I am _prepared_. I have nearly five hundred men, more than a score of guns, and I twirl my moustache and hurl defiance eastward from my home in Essex across the narrow seas. Not only eastward. I would conclude this little discourse with one other disconcerting and exasperating sentence for the admirers and practitioners of Big War. I have never yet met in little battle any military gentleman, any captain, major, colonel, general, or eminent commander, who did not presently get into difficulties and confusions among even the elementary rules of the Battle. You have only to play at Little Wars three or four times to realise just what a blundering thing Great War must be. Great War is at present, I am convinced, not only the most expensive game in the universe, but it is a game out of all proportion. Not only are the masses of men and material and suffering and inconvenience too monstrously big for reason, but--the available heads we have for it, are too small. That, I think, is the most pacific realisation conceivable, and Little War brings you to it as nothing else but Great War can do.
Each player is allowed three bids, and the successful bidder turns the widow face up, so that all may see what it contained. He then takes the widow into his hand and discards what he pleases, face down, to reduce his hand to the same number of cards as the other players. The trump is not named until after this discard. The bidder has the first lead and also the first count. Six deals is a game. SIXTY-SIX. Sixty-six is one of the simplest forms of Bézique, and is an extremely good game for two persons with one pack of cards. _=Cards.=_ Sixty-six is played with a pack of twenty-four cards, all below the Nine being deleted. The cards rank, A 10 K Q J 9; the Ace being the highest, both in cutting and in play.
_=Dix.=_ Each player in turn, beginning on the dealer’s left, may show the Nine of trumps if he holds it, and exchange it for the trump card. Should two Nines be shown by different players, the one on the dealer’s left takes the turn-up trump. Even if the dealer has a Nine himself, he is not allowed to keep the turn-up trump. If the same player holds both Nines he may score twenty on winning a trick. A player with 990 up is not out if he turns up the Nine. He must win a trick. _=Melds.=_ All the combinations have the same value as in the ordinary game, but all melds are laid upon the table before a card is played. When he lays down his cards, a player may make as many combinations with them as he can, just as he would in the ordinary game if he had plenty of time.
He gives the words of a sort of musical catch, sung in the Midlands, similar in character to this game, which may once have been used in some courting game. Mr. Newell (_Games_, p. 124) gives a version sung in the streets of New York, and considers it to be a relic of antiquity, a similar round being given in _Deuteromelia_, 1609. Jowls A game played by boys, much the same as Hockey, and taking its name, no doubt, from the mode of playing, which consists in striking a wooden ball or knorr from the ground in any given direction with a sufficiently heavy stick, duly curved at the striking end.--Atkinson s _Cleveland Glossary_. It is also given in _Yorkshire Glossary_ (Whitby). See Bandy, Doddart, Hockey. Jud A game played with a hazel nut bored and run upon a string.--Dickinson s _Cumberland Glossary_.
A would have won the pool if he had backed his hand, because he would have had the highest card of the winning suit. _=Calling for a Sight.=_ Suppose four players have the following caves in front of them: A, 35; B, 60; C, 120; and D, 185. D blinds five, deals, and turns the heart 9. A puts up all his 35 counters. B passes out. C raises 50, putting up 85; and D bets everything, 180 more than his blind. A demands a sight for his 35, and C puts up the remainder of his 120, and calls a sight for them. Then D withdraws his superfluous 65, and it is a call. No one has a brelan, so all the hands are shown, and the cards lie thus:-- [Illustration: 🂮 🃉 🃈 +-------+ | B | 🂡 🂭 🂩 |C A| 🃑 🃞 🃙 | D | +-------+ 🂱 🂾 🃝 🂹 ] The point is exactly even for clubs and spades, 40 in each.
H. Patterson). I. I m come to court Janet jo, Janet jo, Janet jo, I m come to court Janet jo, How s she the day? She s up the stair washin , Washin , washin , She s up the stair washin , Ye canna see her the day. [Then follow verses, the words of which are not given by Chambers, representing Jenny as bleaching, drying, and ironing clothes. At last they say--] Janet jo s dead and gane, Dead and gane, dead and gane; Janet jo s dead and gane, She ll never come hame! --Chambers _Popular Rhymes_, pp. 140-41. II. I m come to court Janet jo, Janet jo, Janet jo, Come to court Janet jo, How is she the day? She s butt the house washing, washing, washing She s butt the house washing, You can t see her to-day. Fare ye well, ladies, ladies, ladies, Fare ye well, ladies, For I must away.
A-B make 10, which is 2 more than they bid, Y-Z getting the other 4; which leaves A-B 6. These are scored by placing one red and one white counter in the pool. But suppose A-B got only 5 points, Y-Z getting 9. A-B would score nothing, as they did not make good their bid; while Y-Z would score the 9 points actually won, and the 8 points bid in addition, or 17 altogether. The old way of scoring was to _=set back=_ the side that failed to make the number bid; but that system of counting entirely destroyed the interest in the game when one side got much behind; because it could not recover in time to prevent the other side from _=sweating out=_, as it is called. Suppose A-B have been set back 18 points on two failures, Y-Z having made 16 points on those two deals, and 23 on their own bids. The score will stand: A-B 64 to go; Y-Z, 12 to go. Even if we suppose that A-B make 11 on each of the next four deals, they will still have 20 to go, while Y-Z will be out. Again: A-B want 15, Y-Z want 2. Even if A-B can bid 12 and make it, Y-Z will sweat out.
1.] [Illustration: Fig. 2.] [Illustration: Fig. 3.] [Illustration: Fig. 4.] (_c_) Chambers _Popular Rhymes_, p. 36, gives a slightly different version of the verses, and says they were sung by children at their sports in Glasgow. Mactaggart alludes to this game as Bumpkin Brawly, an old dance, the dance which always ends balls; the same with the Cushion almost.
Many English works on cards erroneously spell quinte without the “e,” and give “quart” for a sequence of four. If one is going to use the French language at all, it may as well be used correctly. Sequences outrank one another according to the best card, if they are of equal length; so that a quinte to a King would be better than a quinte to a Queen; but a longer sequence always outranks a shorter one, regardless of the high cards. The player holding the best sequence is entitled to score it, together with any inferior sequences he may hold in other suits. Should his adversary hold intermediate sequences, they are of no value. For instance: One player holds a quinte to the Jack in spades, a tierce to the Ten in hearts, and a tierce to the Nine in clubs; while the other holds a quatrième majeure (A K Q J) in hearts, diamonds, and clubs. None of the latter are of any value; but all those in the other hand are good. If the best sequence is a tie, no sequences can be scored by either player. The value of a sequence is ten more than the number of cards that go to form it, provided that number exceeds four. A tierce counts 3 only, and a quatrième 4 only; but a quinte is worth 15, a sixième 16, and so on.